Nonfiction Unlimited, a commercial production company with a roster consisting of leading documentary filmmakers, has added the directing team of Jimmy Chin and Chai Vasarhelyi who last year earned a DGA Award nomination for Meru, a breathtaking documentary about two difficult ascents of the Himalayan peak. Winner of the 2015 Sundance Film Festival Audience Award, Meru was the highest grossing independent documentary film of that year. Chin, a professional alpinist, filmed much of the documentary while climbing the 1,500-foot-tall Shark’s Fin rock wall, the final section of the 21,850-foot mountain. He first tried to climb atop Meru in 2008, but was turned back by severe weather 100 meters from the summit. Meru chronicles the conquest of the summit on the return expedition in 2011, with fellow climbers Conrad Anker and Renan Ozturk.
As an athlete, director and photographer, Chin has worked with elite adventurers in some of the most dangerous and challenging locations in the world including several ascents of Mount Everest. He has directed extreme adventure work for Chase Bank, Pirelli and The North Face, among others. For Chase, Chin both starred in and directed a close-up view of a photographer climbing the treacherous peaks of the Bugaboos to capture the perfect shot. For Pirelli, he filmed skiers in a dramatic high-speed ski sequence that ends in an unexpected BASE jump, seen from the perspective of inside a car, also falling through the air.
Vasarhelyi is a prolific award-winning documentary director whose work includes an episode of Netflix’s Abstract: The Art of Design, a profile of Ralph Gilles, head automotive designer for Fiat Chrysler. No stranger to dangerous projects herself, Vasarhelyi spent years in Senegal filming Youssou N’Dour: I Bring What I Love, about the Senegalese icon and musician, and Incorruptible chronicling the tense 2012 Senegal elections. The film won a 2016 Independent Spirit Award. Her work also includes Climbing the Shark’s Fin, a New York Times Op Doc.
“Jimmy is one of the most accomplished adventure sports filmmakers and photographers working today,” said Loretta Jeneski, executive producer at Nonfiction Unlimited. “He has incredible cinematic flare and has specialized in directing logistically complicated shoots. Chai has been winning documentary awards since she was twenty-three. She’s all about revealing the humanity in every story. They are both a force of nature and we’re thrilled they’ve joined us at Nonfiction for advertising projects.”
Review: Writer-Directors Scott Beck and Bryan Wood’s “Heretic”
"Heretic" opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are labeled as large even though they're all pretty much a standard size. "What else do we believe because of marketing?" one asks the other.
That line will echo through the movie, a stimulating discussion of religion that emerges from a horror movie wrapper. Despite a second-half slide and feeling unbalanced, this is the rare movie that combines lots of squirting blood and elevated discussion of the ancient Egyptian god Horus.
Our two church members — played fiercely by Sophie Thatcher and Chloe East — are wandering around trying to covert souls when they knock on the door of a sweet-looking cottage. Its owner, Mr. Reed, offers a hearty "Good afternoon!" He welcomes them in, brings them drinks and promises a blueberry pie. He's also interested in learning more about the church. So far, so good.
Mr. Reed is, of course, if you've seen the poster, the baddie and he's played by Hugh Grant, who doesn't go the snarling, dead-eyed Hannibal Lecter route in "Heretic." Grant is the slightly bumbling, bashful and self-mocking character we fell in love with in "Four Weddings and a Funeral," but with a smear of menace. He gradually reveals that he actually knows quite a bit about the Mormon religion — and all religions.
"It's good to be religious," he says jauntily and promises his wife will join them soon, a requirement for the church. Homey touches in his home include a framed "Bless This Mess" needlepoint on a wall, but there are also oddities, like his lights are on a timer and there's metal in the walls and ceilings.
Writer-directors Scott Beck and Bryan Wood — who also... Read More