By Jake Coyle, Film Writer
NEW YORK (AP) --Director Mike Mills had some advice for his audience at the New York Film Festival: Make a movie about your mom.
Mills premiered his "20th Century Women," starring Annette Bening, on Friday at Lincoln Center, where his film is playing as the festival's centerpiece. In it, Bening stars as Dorothea Fields, a woman born during the Great Depression who's raising her 14-year-old son (newcomer Lucas Jade Zumann) by herself in 1979 California, albeit with the help of the colorful tenants (Greta Gerwig, Billy Crudup) living her old Santa Barbara home.
The film is a lushly lived-in coming-of-age dramedy about a mom and her son, told with a keen eye to how historical currents shape emotional lives. Mills, at a press conference Friday, said the movie could be reduced to "'As Time Goes By' meets the Buzzcocks."
Mills, the writer-director of "Beginners," said he wrote "20th Century Women" primarily as a love letter to his mother.
"You all should make movies about your mom because it's really a trip," said Mills. "And then have an amazing actress do it."
The film, which A24 will release Dec. 25, has been lined up as an awards season contender, with Bening's lead performance particularly trumpeted. Her Dorothea is part a cigarette-smoking traditionalist (she tells her son: "Wondering if you're happy is a great shortcut to being depressed"), and part an open-minded child of the 1960s, willing to try dancing to both the Talking Heads and Black Flag.
Bening was 19 during the film's time period, but grew up in San Diego near the movie's coastal setting.
"My world was a different world than this world that I grew up in, but the time was the same," said Bening. "I loved the script because I thought it contextualized that period for me in a way that I had never seen."
The challenge of playing the part, Bening said, was in finding the character herself while also being faithful to Mills' descriptions of his mother. The balancing act, she said, was "fascinating but not easy."
"To me Dorothea was very much Annette, in body and timing and soul," said Mills. "It was fun to sort of show her my mom, always saying to her to take what's interesting and dump the rest."
Mills said he was inspired not just by his mother, but other women in his life, who he interviewed almost like a journalist. Their stories informed other characters and scenes.
"I'm very much trying to base everything on real women," said Mills. "Ultimately, I'm a straight white cisgender male guy trying to write about women, but I can only go so far. I'm on the outside looking in. I was trying to make those limitations of my perspective part of the story."
SCHROM x Yacht Club and Be Electric Studios Launch Electric XR for Virtual Production
SCHROM x Yacht Club, a full-service live-action, tabletop, and postproduction company, has teamed with Be Electric Studios, a soundstage, equipment rental, and virtual production company, to launch Electric XR, a virtual production collective.
Industry veteran Thomas Rossano will lead the new venture, which provides advanced virtual production solutions across multiple facilities. He brings over 25 years of experience in live-action, tabletop, postproduction and talent curation to enhance Electric XR’s offerings as a resource for brands and agencies, as well as other production companies in need of virtual production solutions. Additionally Rossano continues to serve as EP at XR New York (XR-NY), a role he’s held since December 2022. SCHROM x Yacht Club originally established XR-NY to help provide XR services for third-party rentals. While XR-NY will continue to function independently for SCHROM X Yacht Club, it now operates under the Electric XR umbrella.
Rossano’s expertise spans producing live-action commercials, branded content, interactive and experiential content. In addition to leading Electric XR, he holds responsibilities at SCHROM x Yacht Club which include driving business development, collaborating with sales reps and expanding the company’s creative talent network. Rossano’s career includes serving as an exec producer at Hungry Man for about 11 years, right from that company’s inception. He then went on to become a partner at Station Film where he also had a lengthy tenure. Later he was a partner at PRISM. Then after the pandemic hit, he became a freelance EP for nearly two years, looking into opportunities in virtual production, which led him to XR NY and now Electric XR. Over the years, he has produced high-profile... Read More