The American Society of Cinematographers (ASC) will honor the extraordinary achievements of director-producer Ridley Scott in advancing the art and craft of filmmaking by bestowing him with the organization’s annual Board of Governors Award. The presentation will be made during the 30th ASC Awards for Outstanding Achievement on February 14, 2016, at the Hyatt Regency Century Plaza.
Scott is an Academy Award-nominated filmmaker honored with Best Director Oscar nominations for his work on Black Hawk Down (2001), Gladiator (2000) and Thelma & Louise (1991). All three films also earned him DGA Award nominations. Scott’s most recent releases include the critically acclaimed box office phenomenon The Martian, Exodus: Gods and Kings, The Counselor, and Prometheus.
Scott earned a Golden Globe nomination last week in the Best Director category for The Martian. The film also garnered nods for Best Motion Picture and Best Actor. Scott previously received a Golden Globe nomination for directing American Gangster. As he also served as a producer on the true-life drama, Scott shared in a BAFTA nomination for Best Film. Scott also received Golden Globe and BAFTA nominations for Best Director for his epic Gladiator. The film won the Oscar, Golden Globe and BAFTA Award for Best Picture.
“Ridley Scott’s work has always demonstrated a sensitivity to the image that is unique and venerable,” said Richard Crudo, ASC president. “This is a well-deserved honor for one of our great visual stylists, and I’m so very pleased that the ASC has chosen to honor him this year.”
In 1977, Scott made his feature-film directorial debut with The Duellists, for which he won the Best First Film Award at the Cannes Film Festival. He followed with the blockbuster science-fiction thriller Alien, which catapulted Sigourney Weaver to stardom and launched a successful franchise. In 1982, Scott directed the sci-fi classic Blade Runner, which resides in the annals of the U.S. Library of Congress’ National Film Registry.
His additional film credits as director include Legend, Someone to Watch Over Me, Black Rain, 1492: Conquest of Paradise, White Squall, G.I. Jane, Hannibal, Body of Lies , A Good Year, Kingdom of Heaven, Matchstick Men, and Robin Hood.
Scott and his late brother, Tony, formed the commercial and advertising production company RSA in 1967. RSA has an established reputation for creating innovative and groundbreaking commercials for some of the world’s most recognized corporate brands, including the “1984” ad for Apple, which introduced the Mac computer. They also formed the film and television production company Scott Free, which produced such films as In Her Shoes, The A-Team, Cyrus, The Grey and the Academy Award-nominated drama The Assassination of Jesse James by the Coward Robert Ford.
On television, Scott executive produces the Emmy, Peabody and Golden Globe-winning hit The Good Wife for CBS. Scott has also been an executive producer on the company’s long-form projects, including the miniseries The Pillars of the Earth (Starz), The Andromeda Strain (A&E), The Company (TNT), along with the award-winning HBO movies RKO 281, The Gathering Storm, Gettysburg, and Into the Storm; and the hit National Geographic Channels’ telefilms Killing Lincoln, Killing Kennedy, and Killing Jesus. Additionally, he executive produces the Amazon Studios series The Man in the High Castle, which has earned an ASC TV nomination this year for the pilot.
Scott directed his first-ever television pilot, The Vatican, for Sony Pictures Television in 2013. Written by Paul Attanasio, the show explores the relationships, rivalries, mysteries and miracles taking place within the Catholic Church. Scott will also executive produce the series.
In recognition of his contributions to the arts, Scott was awarded a knighthood from the Order of the British Empire in 2003.
Previous recipients of the ASC Board of Governors Award include Barbra Streisand, Harrison Ford, Julia Roberts, Christopher Nolan, Warren Beatty, Francis Ford Coppola, Sally Field, Morgan Freeman, Ron Howard, Sydney Pollack, Martin Scorsese and Steven Spielberg.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More