By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --Ensemble nominations for the Screen Actors Guild Awards highlight diversity in both film and television, including nods for "Beasts of No Nation," ''Straight Outta Compton" and "Orange is the New Black." Yet, individual nominations, especially for movies, remained largely white – only adding to concerns this will be yet another monochromatic awards season.
Idris Elba was nominated for best supporting actor in the child soldier drama "Beasts of No Nation." He is the sole individual minority nominee in the movie categories of the 22nd annual SAG nominations announced Wednesday.
Elba said in a statement that he was "floored" and "humbled" by the recognition.
"It goes without saying that my performance is shared with the tremendous actors I work with," wrote Elba, congratulating his "Beasts" co-stars Abraham Attah and Kurt Egyiawan as well.
Elba was also nominated for his leading role in TV's "Luther."
Hollywood's lack of diversity has become of critical concern following last Oscars' all-white acting slate. But while the predominantly black casts of both "Beasts" and "Straight Outta Compton" were recognized for their ensemble work, alongside "Trumbo," ''Spotlight" and "The Big Short," individual acting nominations in most film categories exhibited a striking lack of diversity. Thursday's Golden Globe nominations could bring more attention to the issue.
Though "Straight Outta Compton" was a box office and critical hit, its award season prospects were a big unknown. On Monday, the African-American Film Critics Association named the N.W.A drama their best of the year, but it's been mostly overlooked by other critics' awards.
Overall, there were more diverse individual nominees in television than film, thanks in part to the fact that TV divides nominees into comedy and drama, which provides more inclusion. In addition to Elba's nod, other TV nominees included Queen Latifah for "Bessie," Uzo Aduba for "Orange is the New Black" and Viola Davis for "How to Get Away With Murder."
The SAG nominations also helped bring a murky awards season into a bit better focus. Nominees are selected by separate movie and TV nominating panels, each comprised of more than 2,000 randomly selected SAG members, and the organization's choices highlighted a few underdog performances.
Leading female performance nominees included Cate Blanchett ("Carol"), Brie Larson ("Room") and Saoirse Ronan ("Brooklyn"), all of whom have dominated awards buzz, but also Sarah Silverman for the depression indie "I Smile Back," and Helen Mirren for "Woman in Gold," about an elderly Jewish woman looking to reclaim art once stolen by the Nazis. Mirren was also nominated for a supporting performance for "Trumbo."
"I was in shock. I try really hard in therapy to not let myself self-esteem be informed by outside forces. But (expletive) it. I'm going to let myself feel it today and let it fortify me," said Silverman on Wednesday morning. "The fact that it's SAG – which is peers, voted by actors – means so much to me."
The lead actor nominees were a bit more expected, with recognition for Bryan Cranston ("Trumbo"), Johnny Depp ("Black Mass"), Leonardo DiCaprio ("The Revenant"), Michael Fassbender ("Steve Jobs") and Eddie Redmayne ("The Danish Girl").
In the supporting category, Christian Bale was nominated for "The Big Short," Mark Rylance for the Cold War thriller "Bridge of Spies," Michael Shannon for playing a predatory real estate agent in "99 Homes" and young star Jacob Tremblay for playing a child in captivity in "Room."
In a statement, Tremblay, 9, said that he was in Dubai with his family and they plan to celebrate with ice cream sundaes tonight.
Supporting actress contenders included Rachel McAdams ("Spotlight"), Kate Winslet ("Steve Jobs"), Alicia Vikander ("The Danish Girl") and Rooney Mara ("Carol").
Many members of the SAG movie panel also vote for the Academy Awards and as a result, the SAG nominees have traditionally served as a helpful indicator of potential Oscar acting nominees. "Spotlight" is also emerging as one of the top contenders this year, too. The critical favorite about the Boston Globe's investigation into the Catholic Church's sex abuse scandal should be a front-runner for best picture.
On the television side, Netflix's political drama "House of Cards" led with three nominations, including best drama ensemble, best male performance for Kevin Spacey and best female performance for Robin Wright. With work in both movies and television, Netflix scored particularly well, earning a leading eight nominations.
The 22nd annual Screen Actors Guild Awards will be broadcast live from Los Angeles on TNT and TBS on Jan. 30.
Review: Director John Crowley’s “We Live In Time”
It's not hard to spend a few hours watching Florence Pugh and Andrew Garfield fall and be in love. In "We Live In Time," filmmaker John Crowley puts the audience up close and personal with this photogenic British couple through the highs and lows of a relationships in their 30s.
Everyone starts to think about the idea of time, and not having enough of it to do everything they want, at some point. But it seems to hit a lot of us very acutely in that tricky, lovely third decade. There's that cruel biological clock, of course, but also careers and homes and families getting older. Throw a cancer diagnosis in there and that timer gets ever more aggressive.
While we, and Tobias (Garfield) and Almut (Pugh), do indeed live in time, as we're constantly reminded in big and small ways โ clocks and stopwatches are ever-present, literally and metaphorically โ the movie hovers above it. The storytelling jumps back and forth through time like a scattershot memory as we piece together these lives that intersect in an elaborate, mystical and darkly comedic way: Almut runs into Tobias with her car. Their first chat is in a hospital hallway, with those glaring fluorescent lights and him bruised and cut all over. But he's so struck by this beautiful woman in front of him, he barely seems to care.
I suppose this could be considered a Lubitschian "meet-cute" even if it knowingly pushes the boundaries of our understanding of that romance trope. Before the hit, Tobias was in a hotel, attempting to sign divorce papers and his pens were out of ink and pencils kept breaking. In a fit of near-mania he leaves, wearing only his bathrobe, to go to a corner store and buy more. Walking back, he drops something in the street and bang: A new relationship is born. It's the... Read More