By Jake Coyle, Film Writer
NEW YORK (AP) --A day after its trailer debuted online and months before it hits theaters, the Will Smith football head-trauma film "Concussion" is already sparking controversy.
Citing studio emails leaked in the hack of Sony Pictures, The New York Times reported Tuesday that "Concussion" was altered to avoid antagonizing the NFL. The Times quoted one email that discusses a top Sony lawyer taking "most of the bite" out of the film "for legal reasons with the NFL."
In a statement to The Associated Press, "Concussion" director Peter Landesman disputed that report. He called his film, in which Smith plays the forensic pathologist Bennet Omalu who discovered that chronic brain damage factored in the deaths of NFL players, "a David and Goliath story."
"We always intended to make an entertaining, hard-hitting film about Dr. Omalu's David-and-Goliath story, which played out like a Hollywood thriller," said Landesman. "Anyone who sees the movie will know that it never once compromises the integrity and the power of the real story."
Sony Pictures and the NFL declined to comment on the report.
Months after the email leaks made by hackers over the release of "The Interview," Sony again finds itself in the awkward position of having the private emails of its own executives yielding a window into the studio lot decision-making usually invisible to moviegoers.
At issue with "Concussion" is whether the film was shaped by direct negotiation with the NFL, an organization known for aggressive image protection, or if the film was tweaked because of the kind of legal concerns that regularly play a part in any release by a major studio.
Landesman told the Times: "We're just being smart because any large corporation will design a response to something it considers to be a threat to its existence. We don't want to give the NFL a toehold to say, 'They are making it up,' and damage the credibility of the movie."
"Concussion" — a high-profile release starring one of Hollywood's top actors — was already seen as an enormous public relations threat to the NFL, one that will land in theaters during the heart of its upcoming season.
In a statement Monday after the film's trailer was released, Jeff Miller, NFL senior vice president of health and safety policy, said the league is "encouraged by the ongoing focus" on player safety.
"We all know more about this issue than we did 10 or 20 years ago," said Miller. "As we continue to learn more, we apply those learnings to make our game and players safer."
In 2013, ESPN dropped out of a documentary co-produced with "Frontline," ''League of Denial," after complaints from the NFL. The film, about the NFL's response to the dangers of head trauma, was still broadcast by "Frontline." Omalu was heavily featured in the documentary.
But unlike ESPN, which broadcasts NFL games, Sony Pictures has no direct ties with the NFL.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More