Domestic box office is 2nd highest of all time at $204.6M
By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --Dinosaurs are anything but extinct at the box office.
"Jurassic World," the fourth film in the series, became the highest global opener of all time with a staggering $511.8 million in its first days in theaters. It also devoured a number of domestic box office records with a $204.6 million take, the Rentrak media-measurement company estimated on Sunday.
In addition to setting a record for 2015, "Jurassic World" is now the second-highest domestic opening of all time, right behind "Marvel's The Avengers" which took in $207.4 million in 2012. By the time Monday actuals roll in, there is a chance the film could dethrone "Avengers."
It has been 14 years since there has been a new "Jurassic" film in theaters, and the combination of cinematic grandeur, nostalgia and awareness helped "Jurassic World" far surpass analyst predictions going into the weekend, which had the film on track for a $125 million opening.
"This over-performed in a way that I've never seen," Rentrak's Senior Media Analyst Paul Dergarabedian said. "It broke the box office sound barrier."
Universal Pictures and Legendary co-financed the $150 million, PG-13 rated film. Audiences in every quadrant turned out to see the film in theaters. According to exit polls, 39 percent were under the age of 25, signifying the massive interest of both a new generation and the continued enthusiasm of those who saw "Jurassic Park" in 1993.
Also, audiences shelled out the extra money to see the film in the biggest format possible. About 48 percent of domestic audiences opted for 3D.
"It is extraordinary. The film has resonated with audiences around the world," said Nick Carpou, Universal's president of domestic distribution.
Directed by Colin Trevorrow and executive-produced by Steven Spielberg, "Jurassic World" is the third in a series of blockbusters for star Chris Pratt, who also starred in the 2014 box office hits "Guardians of the Galaxy" and "The Lego Movie."
"He's like Jimmy Stewart with a leather vest and muscles," Dergarbedian said. "He's a great modern-day action hero."
This is also likely not the last "Jurassic" film audiences will see. Pratt has stated in interviews that he has signed on for future installments. But right now, Universal is focusing on what's in theaters.
"Jurassic World" is just the latest hit for Universal in 2015, following "Fifty Shades of Grey" and "Furious 7."
No studio even tried to compete with the unbeatable dinosaurs this weekend, and thus holdovers populated the rest of the top five. Melissa McCarthy's "Spy" earned $16 million in its second weekend in theaters, bringing its domestic total to $56.9 million. "San Andreas" added another $11 million, and "Insidious Chapter 3" and "Pitch Perfect 2" took the fourth and fifth spots, with $7.3 million and $6 million, respectively.
The dino-sized debut of "Jurassic World" is of utmost importance to the industry, too, which has seen three consecutive down weekends in what was supposed to be a record-setting summer.
"We got the wind back in the summer sails," said Dergarabedian, citing upcoming films like "Inside Out," ''Mission: Impossible-Rogue Nation" and "Ted 2" as some of the big films on the way. "This gets the summer back on track."
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1."Jurassic World," $204.6 million ($307.2 million international).
2."Spy," $16 million ($13.5 million international).
3."San Andreas," $11 million ($42.5 million international).
4."Insidious Chapter 3," $7.3 million ($6.7 million international).
5."Pitch Perfect 2," $6 million ($2 million international).
6."Entourage," $4.3 million ($1.8 million international).
7."Mad Max: Fury Road," $4.1 million ($5.4 million international).
8."Avengers: Age of Ultron," $3.6 million ($2 million international).
9."Tomorrowland," $3.4 million ($4.6 million international).
10."Love & Mercy," $1.8 million ($60,000 international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to Rentrak:
1. "Jurassic World," $307.2 million.
2. "San Andreas," $42.5 million.
3. "Spy," $13.5 million.
4. "Insidious Chapter 3," $6.7 million.
5. "Mad Max: Fury Road," $5.4 million.
6. "Tomorrowland," $4.6 million.
7. "Hamari Adhuri Kahaani," $4.1 million.
8. "Stand by Me Doraemon," $4 million.
9. "Pitch Perfect 2" and "Avengers: Age of Ultron," $2 million.
10. "Entourage," $1.8 million.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More