For the first time in Art Directors Guild history, Lifetime Achievement Awards will be awarded in all four crafts comprising the ADG (IATSE Local 800) at the 19th Annual Excellence in Production Design Awards to be held on January 31, 2015 at a black-tie ceremony at the Beverly Hilton Hotel. As previously announced, Emmy-winning and Oscar-nominated production designer Jim Bissell will receive the Art Directors Guild’s Lifetime Achievement Award. Joining Bissell is Camille Abbott, who will receive the Illustrators and Matte Artists Lifetime Achievement Award, presented by fellow sr. illustrator Tim Wilcox. The set designer receiving the Lifetime Achievement Award from his craft is John P. Bruce, presented by production designer Corey Kaplan. Scenic artist Will Ferrell is set to receive the Lifetime Achievement Award from the Scenic, Title and Graphic Artists craft, presented by scenic artist Jim Fiorito. The announcement was made today by John Shaffner, ADG Council chairman, and ADG Awards producers Dave Blass and James Pearse Connelly.
Previous recipients of the ADG Lifetime Achievement Award are production designers Ken Adam, Robert Boyle, Albert Brenner, Henry Bumstead, Rick Carter, Roy Christopher, Stuart Craig, Bill Creber, John Mansbridge, Terence Marsh, Harold Michelson, Jan Scott, Paul Sylbert, Dean Tavoularis, Tony Walton, Ronald Strang and Herman Zimmerman.
Senior illustrator Abbott has worked on almost every Hollywood studio lot during her illustrious career including Paramount, Warner Bros., Universal, Lorimar, MGM and 20th Century Fox. Her distinguished work as an illustrator in motion pictures includes such films as Spaceballs (1987), Flashdance (1983), Two of a Kind (1983), Annie (1982) and Knightriders (1981). Her TV credits include production illustrator for such films and shows as Eerie, Indiana, The Earth Day Special, Battlestar Galactica and Ryan’s Four. Abbott’s talents have also extended into theater productions and have graced numerous productions for the West Coast Ensemble Theater, Burbank Civic Light Opera and the Pan Andreas Theater.
Senior set designer Bruce is a 43-year veteran who started at MGM studios as an apprentice set designer and has worked continuously ever since, eventually achieving the titles of sr. lead set designer and art director. He is best known for his set designs on such notable projects as Armageddon (1998), Falcon Crest (1981) and Batman & Robin (1997). He was the set designer for numerous films, including Frost (2012), Sky High (2005), The Killer Inside Me (2010), The Matrix (1999), What About Bob (1991), Jaws (1973), Anaconda (1997), Flubber (1997), The Sting (1973), Blue Hawaii (1961) and Looney Tunes: Back in Action (2003). His extensive TV credits include set designer for such series as Scandal, Cold Case, The X-Files, Dexter, Murder She Wrote, Star Trek (Deep Space Nine), The Love Boat, The Man From U.N.C.L.E. and art director for such series as Falcon Crest, The Waltons, Barnaby Jones and Baretta. Bruce has been an active leader in both Locals 847 and 800. He served as VP for Local 847 prior to their merger with Local 800 and is currently a board member.
Distinguished scenic artist Ferrell’s work includes theatre productions for the Mark Taper Forum, The Ahmanson Theater and the Dorothy Chandler Pavilion for such shows as Oklahoma, The King & I, Carousel, Around the World in 80 Days and Kiss Me Kate. Ferrell left the theatre to work on such motion pictures as Patriot Games (1992), The Hunt for Red October (1990), Coming to America (1988), Planes, Trains and Automobiles (1987), Funny Girl (1968), Guess Who’s Coming to Dinner (1967), Hawaii (1966), Mary Poppins (1964) and The Birds (1963). Ferrell’s television credits include such variety shows as The Smothers Brothers Comedy Hour, The Dean Martin Show, The Jerry Lewis Show, The Jonathan Winters Show, The Red Skelton Show and The Carol Burnett Show. Ferrell worked at almost every Hollywood studio, including Paramount, where he and his twin brother established their own company, Pyramid Scenic Corporation. Will later moved to Las Vegas where he set up Ferrell Scenic Art; his work there includes murals painted at Caesar’s Palace. Ferrell served as the business representative for Local 816 for three years.
Bissell’s impressive work can be seen in such notable films as E.T. the Extra-Terrestrial (1982), which took home four Oscars with an additional five Oscar nominations in 1983; The Rocketeer (1991), Jumanji (1995), 300 (2006), Mission: Impossible – Ghost Protocol (2011) and most recently The Monuments Men (2014), directed by and starring George Clooney. Monuments Men is Bissell’s fourth collaboration with Clooney, which began with Confessions of a Dangerous Mind (2002), followed by Oscar-nominated Good Night, and Good Luck (2005) and continued with Leatherheads (2007). Bissell has been awarded a Primetime Emmy for Palmerstown, U.S.A. (shared with Bill Webb, 1980), an Oscar nomination and Satellite Award win for Good Night, and Good Luck (Oscar nomination shared with Jan Pascale, 2005) among additional nominations from the ADG, BAFTA and LAFCA Awards. His other credits include: Twilight Zone: The Movie (1983), The Falcon and the Snowman (1985), Harry and the Hendersons (1987), Someone to Watch Over Me (1987), Twins (1988), Always (1989), Dennis the Menace (1993), Blue Chips (1994), Tin Cup (1996), Cats & Dogs (2001) and The Ring Two (2005). Bissell is currently working on Mission: Impossible 5 (2015) and the recently announced film 1906 (release TBA).
As previously announced, filmmaker Christopher Nolan will receive the prestigious Cinematic Imagery Award. Nominations for this year’s ADG Excellence in Production Design Awards will be announced on January 5, 2015. The ADG will present winners in 11 competitive categories for theatrical films, television productions, commercials and music videos on January 31, 2015.
Media sponsors for the ADG Awards include SHOOTonline.
ADG Awards are open only to productions, when made within the U.S. by producers signatory to the IATSE agreement. Foreign entries are acceptable without restrictions.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More