Televised for the first time, ceremony hopes to gain traction as an awards season staple
By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --About halfway through the first televised Hollywood Film Awards, Chris Rock took the stage to accept a trophy for his film "Top Five." ''Wow, do you feel the excitement in the room?" he asked facetiously, eliciting the first real laughter of the night from an otherwise restrained audience.
The show that has dubbed itself the "official launch of the awards season" was, even at a brisk two hours, a subdued celebration of celebrities and their films, many of which have only played at festivals and some that have yet to be seen by anyone.
Now in its 18th year, The Hollywood Film Awards hopes to become one of the major stops on the annual movie awards trail, now that it's being broadcast on CBS, along with a pre-show from the red carpet and a post-show recap. This year's host was Queen Latifah.
For years, the non-televised show has raised eyebrows for awarding honors to unreleased films. Yet the stars have always seemed to show up, eager to boost industry buzz for their films. This year was no exception.
Attendees at Friday night's event included such A-Listers as Angelina Jolie, presenting an award to Jack O'Connell who stars in her unreleased film "Unbroken," and Benedict Cumberbatch and Keira Knightley, both of whom picked up acting honors for "The Imitation Game," not in theaters until Nov. 28,
Eddie Redmayne was honored for his portrayal of Stephen Hawking in "The Theory of Everything" and Reese Witherspoon presented an award to her "Wild" director Jean-Marc Vallée.
Despite that most presenters and honorees had pre-scripted speeches scrolling on a teleprompter at the back of the room, there were several gaffes, such as Jennifer Lopez's repeated "How to 'Drain' Your Dragon" mistake and censored moments when stars, like Redmayne, would go off-script.
It was Johnny Depp, though, who provided one of the strangest moments of the evening when he took the stage to present the documentary award for "Supermensch: The Legend of Shep Gordon." He slurred and swayed his way through a mostly inaudible speech, using the F-word twice before a clip reel cut him off.
Behind the scenes, The Hollywood Film Awards was fairly standard fair, with much mingling and schmoozing among the tables set up for guests at the Hollywood Palladium, a venerable LA music venue. Redmayne made the rounds during commercial breaks to chat with Mike Myers, Steve Carell and Cumberbatch. Ben Affleck, who accepted the main award on behalf of "Gone Girl," arrived over halfway through the show, taking a seat next to co-star Emily Ratajkowski at a table that included much of the cast.
Chris Pratt, also a late arrival, held court at his centrally located table, letting out an enthusiastic yelp when one of the servers popped another bottle of champagne for his group, which included his "Guardians of the Galaxy" director James Gunn.
But even though the tables were stocked with large bottles of bubbly and tequila, the industry audience, including such players as Harvey Weinstein, was not treating the event as the free-for-all we've grown to expect from boozy table shows such as the Golden Globes and Screen Actors Guild Awards.
Still, despite the murky criteria for "winning" and the heavily scripted nature of the evening, a few of the honorees did exhibit true gratitude, making the event feel at times like a rehearsal for what's to come in the next few months of awards campaigning.
O'Connell, for instance, has never fully participated in the awards race. "I'm very sentimental about the whole thing," he said before the show. And indeed, in a largely unemotional evening, he provided one of the few poignant moments by dedicating his award to the late Louis Zamperini, who he portrays in "Unbroken."
Here's a rundown of Hollywood Film Award recipients:
Film: "Gone Girl."
Actor: Benedict Cumberbatch, "The Imitation Game."
Actress: Julianne Moore, "Still Alice."
Supporting actor: Robert Duvall, "The Judge."
Supporting actress: Keira Knightley, "The Imitation Game."
Breakout performance actress: Shailene Woodley, "The Fault in Our Stars."
Breakout performance actor: Eddie Redmayne, "The Theory of Everything."
Ensemble: "Foxcatcher."
Director: Morten Tyldum, "The Imitation Game."
Breakthrough director: Jean-Marc Vallée, "Wild."
Screenwriter: Gillian Flynn, "Gone Girl."
Song: "What is Love," by Janelle Monae, from "Rio 2."
Animation: "How to Train Your Dragon 2."
Blockbuster: "Guardians of the Galaxy."
Documentary: "Supermensch: The Legend of Shep Gordon."
Comedy film: "Top Five."
New Hollywood: Jack O'Connell, "Unbroken."
Career achievement: Michael Keaton.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More