Directors Julie Taymor, known for her work on the stage and in feature films, and Brad Furman, known for his gritty dramas and hip hop videos, have joined the spotmaking and branded content talent roster at Grand Large, the production house headed by owner/executive Steven Horton, and which maintains offices in New York and Paris.
Horton said he’s had his eye on these filmmakers for some time. “I’ve been chasing Julie for more than a year, and I finally caught up with her just when she felt ready and interested in doing some commercial work,” he notes. “And Brad was introduced by a feature film producer and mutual friend. I was impressed with his knowledge, awareness and interest in the advertising world. He has an instinct for good conceptual work and how to take it to the next level. Brad is ready to engage the market and bring his great eye, high energy level and clever storytelling skills to creative projects.”
Director, playwright, puppeteer and designer, Taymor is the creative force behind numerous high-profile stage productions, including the Broadway musicals “The Lion King” and “Spider-Man: Turn Off the Dark.” As a director, her feature credits include such highly stylized films as “Frida,” “Titus,” “Across the Universe” and “The Tempest.”
Taymor’s “The Lion King” made her a bona fide star, demonstrating her talents in many aspects of the theatrical arts. The show received 11 Tony Award nominations, winning for Best Direction and Best Costume Design, making Taymor the first woman to win the Tony Award for directing a musical. Her commercial work includes a campaign starring Selma Hayek, her “Frida” star, for Avon.
Furman's feature directorial credits include the dramas "The Lincoln Lawyer" (starring Matthew McConaughey) and "Runner Runner." He launched his feature career in 2008 with “The Take,” starring John Leguizamo, Tyrese Gibson and Rosie Perez. Furman's PSA for the Rape Abuse Incest National Network, “Unbroken,” was accepted to the Universal Studios/MVPA Director’s Cuts Film Festival. Furman also directed 50 Cent and G-Unit in a short film for their appearance at the British version of the Grammy Awards, “The Brits.” Furman's music-related work includes numerous music videos for a variety of hip hop stars and “Buried Alive in the Blues,” a documentary he wrote, directed and produced that features B.B. King, Buddy Guy, Sam Lay and other blues greats.
Both directors have been represented previously for advertising assignments, Taymor with Looking Glass and Furman with Prettybird. Their signing with Grand Large, Horton added, reflects a renewed commitment on the part of both to work with agencies and brands on a variety of content forms.
In addition, Horton reports that Grand Large director Jean-Pierre Jeunet is once again available for advertising assignments. Jeunet is the writer/director behind such films as “Amélie,” “The City of Lost Children” and “Delicatessen.” He’s collaborated with Horton for over a decade, after being introduced by his colleague Marc Caro, with whom he co-directed several of his feature films.
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More