By Derrik J. Lang, Entertainment Writer
LOS ANGELES (AP) --"Ride Along" arrived in first place at the weekend box office.
The Universal buddy cop comedy featuring Kevin Hart and Ice Cube debuted with $41.2 million, according to studio estimates Sunday. The strong opening for "Ride Along" marks the biggest debut for a film released during Martin Luther King Jr. Day weekend and puts it on track to top the $40.1 million record set by the 2008 monster movie "Cloverfield" for the biggest opening of January.
"It certainly appears with business at this level and with a CinemaScore of A and our exit polls supporting that, it's safe to say we'll break a few records," said Nikki Rocco, head of distribution for Universal.
"Ride Along" is the first starring role for Hart, whose box-office status has been on the rise since the success of his 2013 stand-up film "Kevin Hart: Let Me Explain" and memorable stints in such movies as "Think Like a Man," ''This Is the End" and "Grudge Match."
"He's everywhere it seems," said Paul Dergarabedian, senior media analyst for box-office tracker Rentrak. "I know he was co-starring with Ice Cube in 'Ride Along,' but this really was marketed as a Kevin Hart movie. There's no question he's a movie star now who doesn't require any qualifications before his name."
In second place, Universal's Navy SEAL drama "Lone Survivor" starring Mark Wahlberg, Taylor Kitsch, Emile Hirsch and Ben Foster earned $23.2 million in its second weekend in wide release, bringing its domestic total to $74 million.
Open Road Films' animated film "The Nut Job" featuring the voices of Will Arnett and Brendan Fraser opened in third place with $20.6 million.
The weekend's other major new releases, Paramount's spy series reboot "Jack Ryan: Shadow Recruit" and the Fox horror flick "Devil's Due," respectively opened in fourth and seventh place.
"Jack Ryan," which stars Chris Pine in the titular role, debuted with a disappointing $17.2 million. The film directed by and also featuring Kenneth Branagh performed better overseas, where it nabbed $22.2 million in 29 international markets.
"Devil's Due" featuring Zach Gilford and Allison Miller as parents expecting their first child amid spooky occurrences birthed $8.5 million in its opening weekend.
Several films nominated for Academy Awards last week received a bump at the North American box office following their nods on Thursday, including "American Hustle" in sixth place with $10.6 million, "August: Osage County" in eighth place with $7.6 million and "The Wolf of Wall Street" in ninth place with $7.5 million. "The Wolf of Wall Street" also scored $27 million in 19 international territories.
The best picture contenders "Gravity," ''Captain Phillips," ''12 Years a Slave" and "Dallas Buyers Club" were all rereleased in theaters this weekend following their Oscar nominations. "Gravity" is up with "American Hustle" for the most trophies with 10 nominations each at the 86th annual ceremony set for March 2.
"The Oscars definitely have an impact on studios' decision-making process," said Dergarabedian. "These are movies that would normally be played out, finished, pretty much done in terms of box office, and now they're getting a completely new lease on life."
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Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Where available, latest international numbers are also included. Final domestic figures will be released Tuesday.
1. "Ride Along," $41.2 million.
2. "Lone Survivor," $23.2 million ($6 million international).
3. "The Nut Job," $20.6 million.
4. "Jack Ryan: Shadow Recruit," $17.2 million ($22.2 million international).
5. "Frozen," $12 million ($24.6 million international).
6. "American Hustle," $10.6 million ($12 million international).
7. "Devil's Due," $8.5 million ($2 million international).
8. "August: Osage County," $7.6 million ($13 million international).
9. "The Wolf of Wall Street," $7.5 million ($27 million international).
10. "Saving Mr. Banks," $4.1 million.
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Estimated weekend ticket sales at international theaters (excluding the U.S. and Canada) for films distributed overseas by Hollywood studios, according to Rentrak:
1. "The Wolf of Wall Street," $27 million.
2. "Frozen," $24.6 million.
3. "Jack Ryan: Shadow Recruit," $22.2 million.
4. "Boonie Bears," $14 million.
5. "The Hobbit: The Desolation of Smaug," $10.9 million.
6. "Despicable Me 2," $9 million.
7. "The Secret Life of Walter Mitty," $8 million.
8. "12 Years a Slave," $7 million.
9. "Paranormal Activity: The Marked Ones," $6 million.
10. "47 Ronin," $5.5 million.
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Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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