Digital Domain and directors Neil Huxley and Vernon Wilbert of sister shop Mothership teamed with Square Enix and Airtight Games to create this :90 trailer to launch the game Murdered: Soul Suspect, which is slated for release later this year. The trailer was unveiled during E3, piquing viewers’ imaginations with a brief origin story of the game’s protagonist, Ronan, and building to a climactic reveal, designed to drive viewers to a website to learn more.
Square Enix exec producer Naoto Sugiyama said of the decision to go with Digital Domain, “We needed a team that could pull off production quality of the highest degree, tell our story in CG in a way that felt emotive and powerful–more like a film than a game, and do it all within a games marketing schedule and budget.”
To realize the stylized, movie-like piece, Huxley and co-director Vernon Wilbert used the tools and techniques of filmmaking. They began by developing a story for Ronan, which then defined the structure and limitations of his environments. For the shoot, they segmented the script and shot it in sections, like a typical feature film, instead of shot-by-shot, the more common approach for games marketing.
“By working this way we were able to help the actor stay in the moment during the shoot and capture several different camera angles, which helped us avoid re-shoots,” said Huxley.
“Digital Domain has worked with some of the biggest directors of the past 20 years and brings that film knowledge to every project,” said Wilbert. “We took things like lens flares created for the game environment and re-created them so they could work in a real world. We adapted some of the visual rules of films that inspired us, and brought their style of lighting, cameras, shooting – even the contrast ratio from color grading – into this piece because they were great metaphors for this story.”
Huxley and Wilbert also leveraged Digital Domain’s virtual production studio and team, conducting a live action stage shoot to capture the mood, tone, lighting and body/face/voice performance that drove the digital characters and assets. They tapped the studio’s advanced facial capture and animation process and pipeline used on the Academy-Award-winning movie The Curious Case of Benjamin Button, on TRON: Legacy, Jack the Giant Slayer and many other top features and commercials.
Review: Director Ben Taylor’s “Joy”
Toward the end of Netflix's "Joy," the muffled cry of a newborn baby prompts a man and woman in a hospital to embrace out of pure bliss. They aren't the parents, but they had as much to do with the birth as the mom and dad.
This charming and winning movie charts the decade-long true story of how the world's first IVF baby was born in England in 1978 — a 5-pound, 12-ounce girl who paved the way for millions more. It's an upbeat, very English affair, mixing sober discussion of endometriosis with chocolate biscuits.
The couple embracing that day were pioneering scientist Robert Edwards and Jean Purdy, a young nurse and embryologist. Together with surgeon Patrick Steptoe, the trio succeeded with in vitro fertilization, a method of treating infertility. Edwards would go on to win the Nobel Prize.
"Joy" has been birthed at a time when science is under threat in America — even IVF — so it's downright inspiring to see plucky, smart scientists working hard to change the world. "What we're doing, it matters," says Steptoe, played with quiet economy by Bill Nighy.
"Joy" is the personal stories of the three scientists — mostly through the eyes of Purdy, a polite lab-coated warrior. "If I hear a commotion, I'm not very good at staying out of it," she says. Perfectly played by Thomasin McKenzie, Purdy is both vulnerable and strong, learning through the process to be a better human. James Norton plays Edwards with charm, self-doubt and calm spirit.
Jack Thorne's script nicely explains the massive pressure the trio faced. IVF may have become common and uncontroversial over the last decades, but back in the late '70s it was experimental and shunned. The Anglican church called it a sin, the newspapers labeled it Frankenstein-ish and other... Read More