Netflix’s groundbreaking “House of Cards” may be the first digital series nominated for a best drama Emmy. But it will start with a Webby.
The Webby Awards are honoring “House of Cards” producers Kevin Spacey and Dana Brunetti with a Webby special achievement award. The political thriller, for which Netflix released all 13 episodes at once, proved that digital media can produce cable-quality drama. Netflix also won for best streaming media site.
The 17th annual Webbys, which celebrate Internet achievement, are to be officially announced Tuesday. Winners range from Justin Bieber (for the social media campaign for his fragrance launch) to The Onion (now with a record 19 total Webbys) to Nate Silver’s FiveThirtyEight blog for The New York Times.
The Webby person of the year is Frank Ocean, the R&B singer, whom the Webbys hailed “for proving the power of the Web as a medium for cultural change when he announced his bisexuality to his Tumblr community.”
Singled out for outstanding comedic performance is Jerry Seinfeld, whose 10-episode Web series “Comedian in Cars Getting Coffee” showcased the “Seinfeld” star hanging out with comedian friends.
Webby categories are split into a regular award, chosen by the International Academy of Digital Arts and Sciences, and a “people’s voice” award. The Australian rail safety public service campaign Dumb Ways to Die, which went viral, is an unlikely awards leader with seven Webbys.
GIF file inventor Steve Wilhite also will be honored with a lifetime achievement award. While working at CompuServe in the 1980s, Wilhite created the compressed 8-bit GIF (or Graphics Interchange Format) that remains a popular tool for lo-fi viral sharing.
Another special achievement award will go to President Barack Obama’s election campaign for its use of technology in last year’s presidential election. Claire Boucher, the Canadian synth-pop singer who performs under the name Grimes, is the Webby’s artist of the year.
Other winners include HBO Go (four awards, including best media streaming service), Lady Gaga (for best celebrity-fan social presence), Conan O’Brien (for best celebrity-fan website) and The New York Times (best news social presence). A complete list of the awards will be posted later Tuesday at: http://Winners.WebbyAwards.com.
The awards will be handed out in a ceremony hosted by Patton Oswalt on May 21 in New York, and available to stream the following day. Acceptance speeches are famously limited to five words.
Does “Hundreds of Beavers” Reflect A New Path Forward In Cinema?
Hard as it may be to believe, changing the future of cinema was not on Mike Cheslik's mind when he was making "Hundreds of Beavers." Cheslik was in the Northwoods of Wisconsin with a crew of four, sometimes six, standing in snow and making his friend, Ryland Tews, fall down funny.
"When we were shooting, I kept thinking: It would be so stupid if this got mythologized," says Cheslik.
And yet, "Hundreds of Beavers" has accrued the stuff of, if not quite myth, then certainly lo-fi legend. Cheslik's film, made for just $150,000 and self-distributed in theaters, has managed to gnaw its way into a movie culture largely dominated by big-budget sequels.
"Hundreds of Beavers" is a wordless black-and-white bonanza of slapstick antics about a stranded 19th century applejack salesman (Tews) at war with a bevy of beavers, all of whom are played by actors in mascot costumes.
No one would call "Hundreds of Beavers" expensive looking, but it's far more inventive than much of what Hollywood produces. With some 1,500 effects shots Cheslik slaved over on his home computer, he crafted something like the human version of Donald Duck's snowball fight, and a low-budget heir to the waning tradition of Buster Keaton and "Naked Gun."
At a time when independent filmmaking is more challenged than ever, "Hundreds of Beavers" has, maybe, suggested a new path forward, albeit a particularly beaver-festooned path.
After no major distributor stepped forward, the filmmakers opted to launch the movie themselves, beginning with carnivalesque roadshow screenings. Since opening in January, "Hundreds of Beavers" has played in at least one theater every week of the year, though never more than 33 at once. (Blockbusters typically play in around 4,000 locations.)... Read More