British composer, pianist and arranger Sir Richard Rodney Bennett, who was nominated three times for Academy Awards, has died in New York City at age 76.
His publisher Novello & Co. said in a statement Friday that Bennett died on Dec. 24 following a brief illness.
Bennett was nominated for Oscars for the scores for “Far from the Madding Crowd” in 1967, “Nicholas and Alexandra” in 1971 and “Murder on the Orient Express” in 1974.
A student of Pierre Boulez in 1957-58, Bennett’s work evolved from the avant-garde to a more tonal style. As a pianist, he performed with singer Claire Martin and he recorded music by George Gershwin, Jerome Kern and Harold Arlen.
Bennett’s extensive output included more than 200 works for the concert hall and 50 scores for film and television, five operas and miscellaneous works including settings of Christmas carols.
“Richard was the most complete musician of his generation — lavishly gifted as a composer, performer and entertainer in a multiplicity of styles and genres,” said Chris Butler, head of publishing for the Music Sales Group in London.
“He was a loyal friend to music, musicians, and music publishing and we will remember him with great respect and affection.”
British composer Daryl Runswick said he had benefited from Bennett’s help and encouragement.
“He was a cultured gay man and every aspect of his creativity was defined by elegance,” Runswick wrote on The Guardian’s website.
“He wanted, and achieved, a refined style in both his music and his life: that is why he went to New York, and was so happy there.”
Bennett was born March 29, 1936, in Broadstairs near the English Channel coast, but his family moved to the safer area of Devon after war broke out. His mother, who had studied with the composer Gustav Holst and had sung in the first performance of “The Planets,” was an early musical influence on her son.
“People ask what was the first piece of music I wrote. There was no first piece,” Bennett said in an interview last year with The Guardian newspaper.
“I just scribbled away and eventually a C-major chord was there. I didn’t ever decide I was going to be a composer. It was like being tall. It’s what I was. It’s what I did.”
He moved to New York in 1979, following the end of a long relationship and feeling stifled in Britain. Stephen Sondheim and Leonard Bernstein supported his application for a green card work permit.
“I was doing a lot of things out of guilt,” he said of his departure from Britain.
“I hated teaching composition. I was playing music I didn’t particularly want to play, being on committees I didn’t want to be on. I wanted to write music, and cook, and play cards, and have a nice time,” The Guardian quoted him as saying.
In New York he indulged his passion for jazz, accompanying singer Claire Martin in shows at the Algonquin Hotel and drawing praise from The New York Times as “a sensitive, truly intimate collaborator.”
He helped Paul McCartney with his orchestral work “Standing Stone,” commenting on sections faxed by the former Beatle.
“I sent him one, thinking it was pretty good,” McCartney said. “A few minutes later, I got a fax back with the word ‘feeble’ scribbled across it.
“I phoned him straight back and said, ‘Richard, that’s what my teacher wrote on my essays. You’re a sensitive artist, and if you don’t like something, could you please write, ‘That’s a little below par?'”
Bennett coached Elizabeth Taylor to sing a nursery rhyme for the film “Secret Ceremony,” for which he wrote the musical score. Prince Charles commissioned Bennett in 2005 to write “Reflection on a Scottish Folk Song” in honor of the prince’s grandmother, Queen Mother Elizabeth.
Bennett was knighted in 1998. Funeral details were not announced.
Los Films Signs Director Tobias Nathan
Filmmaker Tobias Nathan has signed with Los Films, the production division of the multidisciplinary creative studio Los York, for U.S. representation spanning commercials, branded content and music videos.
Nathan’s directing work is characterized by a journalistic sense of solid storytelling combined with visual sophistication. Prior to joining Los Films, he had most recently been repped by production company JOJX.
Nathan studied journalism and creative writing at Boston University and subsequently fell into a career as a creative director at New York City ad agencies. On-set he often found himself “breathing heavily over director’s shoulders” and in short order he pivoted to the director’s chair. He has directed campaigns for Virgin, Apple Music, Samsung, Infiniti, Vodafone, Nespresso, Grey Goose, Remy Martin, Cadillac and KIA, among others.
“Tobias is an ambidextrous creative. He can write with one arm and direct with the other,” said Chris Abitbol, head of Los Films. “Seriously, Tobias has worked as a creative and as a film director, telling brand stories with real panache and vision. He’s a true ‘Global Nomad of the Arts,’ and now he’s part of our exciting next phase. Welcome, brother.”
“I’m excited to join Los York because it feels like it’s a family that really focuses on what matters--craft, quality, and doing good work the right way with people you love,” said Nathan. “Chris, Seth Epstein [Los York founder] and their entire team are looking toward the future at this bizarre time in our industry and figuring out how to lead it. For my part, I plan to create innately human work for Los Films clients; work that moves people, whether with a smirk or a wink or a laugh or a cry, work with... Read More