An Israeli filmmaker based in California went into hiding after a YouTube trailer of his movie attacking Islam’s prophet Muhammad sparked angry assaults by ultra-conservative Muslims on U.S. missions in Egypt and Libya. The U.S. ambassador to Libya and three American members of his staff were killed.
Speaking by phone Tuesday from an undisclosed location, writer and director Sam Bacile remained defiant, saying Islam is a cancer and that the 56-year-old intended his film to be a provocative political statement condemning the religion.
Protesters angered over Bacile’s film opened fire on and burned down the U.S. consulate in the eastern Libyan city of Benghazi. Libyan officials said Wednesday that Ambassador Chris Stevens was killed Tuesday night when he and a group of embassy employees went to the consulate to try to evacuate staff as the building came under attack by a mob firing machine guns and rocket propelled grenades.
In Egypt, protesters scaled the walls of the U.S. embassy in Cairo and replaced an American flag with an Islamic banner.
“This is a political movie,” said Bacile. “The U.S. lost a lot of money and a lot of people in wars in Iraq and Afghanistan, but we’re fighting with ideas.”
Bacile, a California real estate developer who identifies himself as an Israeli Jew, said he believes the movie will help his native land by exposing Islam’s flaws to the world.
“Islam is a cancer, period,” he said repeatedly, his solemn voice thickly accented.
The two-hour movie, “Innocence of Muslims,” cost $5 million to make and was financed with the help of more than 100 Jewish donors, said Bacile, who wrote and directed it.
The film claims Muhammad was a fraud. The14-minute trailer of the movie that reportedly set off the protests, posted on the website YouTube in an original English version and another dubbed into Egyptian Arabic, shows an amateur cast performing a wooden dialogue of insults disguised as revelations about Muhammad, whose obedient followers are presented as a cadre of goons.
It depicts Muhammad as a feckless philanderer who approved of child sexual abuse, among other overtly insulting claims that have caused outrage.
Muslims find it offensive to depict Muhammad in any manner, let alone insult the prophet. A Danish newspaper’s 2005 publication of 12 caricatures of the prophet triggered riots in many Muslim countries.
Though Bacile was apologetic about the American who was killed as a result of the outrage over his film, he blamed lax embassy security and the perpetrators of the violence.
“I feel the security system (at the embassies) is no good,” said Bacile. “America should do something to change it.”
A consultant on the film, Steve Klein, said the filmmaker is concerned for family members who live in Egypt. Bacile declined to confirm.
Klein said he vowed to help Bacile make the movie but warned him that “you’re going to be the next Theo van Gogh.” Van Gogh was a Dutch filmmaker killed by a Muslim extremist in 2004 after making a film that was perceived as insulting to Islam.
“We went into this knowing this was probably going to happen,” Klein said.
Bacile’s film was dubbed into Egyptian Arabic by someone he doesn’t know, but he speaks enough Arabic to confirm that the translation is accurate. It was made in three months in the summer of 2011, with 59 actors and about 45 people behind the camera.
The full film has been shown once, to a mostly empty theater in Hollywood earlier this year, said Bacile.
By Shaya Tayefe Mohajer
Director Ayse Altinok Joins Good Times For U.S. Commercial Representation
Director and writer Ayse Altinok has joined commercial production company Good Times for U.S. representation. Altinok has directed campaigns for Nike, Horizon Milk, Larabar, Jose Cuervo, Unilever, Mavi Jeans, Boots, Lumene, and more.
A former art director at Wieden + Kennedy in Amsterdam and Portland, she approaches each project with careful consideration, analyzing the end goal as a first step and uncovering meaningful moments along the way. Her work features a cinematic, dreamlike quality and elevated aesthetic.
“Having the right chemistry and karma is very powerful and that’s what attracted me to Good Times, and also timing,” said Altinok. “It’s a place where I can continue to push myself as a filmmaker and try new things, whether it’s for a traditional commercial spot or a high concept art project and everything in between.”
“I’ve worked with Ayse for 20 years and she’s super talented. She’s great at finding gems in stories that would otherwise be overlooked, and her aesthetic is phenomenal,” noted Bernadette Spear, executive producer at Good Times. “She can also empathize with creatives, because she’s lived in that world and understands what our clients face and knows how to support their vision.”
Throughout her career, Altinok’s work has won many industry accolades, including awards from The One Show, Clio, Art Directors Club, AICP, and the ANDYs. In 2016, she was nominated for a D&AD Next Director Award for her short film A Day at the Mall Reminds Me of America, a motion poem. Her first short film, 2009’s Hortum was an official selection of 11 film festivals worldwide and won the Special Jury Prize for Best Drama at the Amsterdam Film Festival.
Outside of her short... Read More