Directors Angus Kneale and Ben Smith of The Mill NY teamed on this spot out of agency RP3 in Bethesda, MD, which opens on a boy playing with his train set. His dad comes into his room and tells him it’s time for bed. But once the lights are out, the toys in the room come to life, the catalyst being the Norfolk Southern toy train.
A large building is erected, atop of which is a toy gorilla. Numerous other toy characters get to work as their world becomes busy and bustling thanks to railroad shipping. A city is built before our eyes. Dinosaurs, pirates, jellyfish, robots, dump trucks, cranes all spring into action. A lion leads a ribbon-cutting ceremony to commemorate the opening of the train line through this multi-faceted toy world.
A voiceover relates, “Wherever our trains go, the economy comes to life. Norfolk Southern. One line. Infinite possibilities.”
For the spot, produced and designed by The Mill NY, Kneale and Smith extensively researched rail freight and spent time on the ground in Roanoke, VA, a major hub for Norfolk Southern. In addition, Mill artists created extensive storyboards, character design and pre-viz prior to the shoot.
Veteran DP Bill Pope was brought in for his expertise in shooting miniatures on Team America, and his VFX experience on The Matrix trilogy and Men in Black 3 was an added bonus. The set was built at Steiner Studios in New York, constructed five feet off the ground in a modular approach that allowed sections of the floor to be removed in order to get the camera into “toy perspective.” All of the featured characters were created digitally and custom designed by the Mill design team led by Tim Haldeen. The 3D animation team, led by Chris Bernier, spent months creating and breathing life into all of the toys seen in the final piece.
“We wanted to soften public sentiment about an industry easily dismissed as outmoded, and position it as innovative and future-minded. We did that by balancing state-of-the-art visual effects and a quirky low-fi charm that keeps the story warm and tangible, never cold or technical,” said producer Boo Wong of The Mill.
Kneale added, “As we were unable to use brand name toys, it challenged us to create and design our own toys. There are about 22 individually designed main characters with an additional 25 to 30 background characters. Our cast of characters is a contemporary ensemble of timeless and modern toys that includes robots, action figures, stuffed toys, dumper trucks, cranes, diggers, etc. Between the charm of the character designs, the fun, surprising ways they all collaborate to build a city, and the fact that they all act rather human, each toy, whether it’s high or low-tech, has an expression, a personality, and a purpose.”
Directors Kneale and Smith worked closely with RP3 and Norfolk Southern on the overall storyline and sentiment of the commercial. The directors didn’t just want to bring to life a NS train but give it added depth and purpose by placing it front in center and as a driving force for the unfolding world of possibilities that the toys create.
“Dune: Part Two” and “House of the Dragon” Win 2 HPA Awards Apiece
Dune: Part Two and House of the Dragon each scored two HPA Awards during a gala ceremony at the Television Academyโs Wolf Theatre in North Hollywood, Calif. on Thursday night (11/7). The HPA Awards honor trailblazing talent in the postproduction industry, celebrating standout achievements in color grading, sound, editing, restoration, and visual effects across theatrical features, commercials, and episodics.
Dune: Part Two topped the Outstanding Color Grading--Live Action Theatrical Feature and the Outstanding Sound--Theatrical Feature categories.
House of the Dragonโs two wins were for โThe Red Dragon and the Goldโ episode which scored for Outstanding Visual Effects--Live Action Episode or Series Season, and Outstanding Editing--Episode or Non-Theatrical Feature (Over 30 Minutes). In the latter HPA Creative Category, House of the Dragon tied with the โPart Six: Far,l Far Awayโ episode of Ahsoka.
The HPAโs Judges Award for Creativity and Innovation honored Taylor Swift | The Eras Tour. This recognition celebrates the profound impact on both live and filmed entertainment that defined The Eras Tour, underscoring its exceptional impact on audiences and the industry. The jury issued a statement outlining their choice: โCelebrated as the cultural phenomenon of 2023, Taylor Swift | The Eras Tour set new records in box office sales, tour revenues, and attendance. The tour showcased exceptional artistry and innovation, making a profound impact on both live and filmed entertainment.โ
This year, FotoKem was awarded the Charles S. Swartz Award for its role in supporting filmmakers, studios, cinematographers, and artists across diverse film and media landscapes. Also celebrated... Read More