Olympic venues are supposed to be free of sponsor ads, but night after night BMW’s iconic Mini car is right there in the middle of the main stadium at the London Games.
The automaker is deploying miniature remote-controlled versions of the car to move track and field equipment around Olympic Stadium.
The International Olympic Committee’s in-house broadcaster has regularly zoomed in on the cars and sent images to networks globally, giving BMW wide exposure of its brand.
The IOC’s television and marketing director, Timo Lumme, said at a news conference that the rules weren’t being breached because the cars don’t have any branding.
But they feature the phrase “it’s a MINI adventure,” and Lumme later acknowledged that from “the silhouette … you can recognize it’s a Mini.”
“There are a number of IAAF validated vehicles that could have been used,” Lumme said. “So the one that they chose, quite naturally, because BMW is the sponsor, was the BMW one.”
BMW’s sponsorship of the London Games is worth $63 million, including the cost of providing vehicles.
Rule 50 of the IOC charter states that “commercial installations and advertising signs shall not be allowed in the stadia.”
Olympic sponsor Omega has its logo on clocks in venues, but BMW has specifically used its Mini for a task that could have been carried out by a generic vehicle.
“We are obviously pleased with the result,” BMW spokesman Graham Biggs said. “The Mini shape is recognizable — it’s all about good design. They are not branded but the design is something people recognize as Mini.”
Biggs insisted that the rules are being adhered to as the Minis collect javelins, hammers and discuses and return them to competitors.
“This is something that was discussed at length with LOCOG and the IOC,” he said.
BMW acquired the Mini brand through its 1994 purchase of the Rover Group. Conceived as a thrifty vehicle during the 1950s fuel crisis, the car came to symbolize the “Swinging 60s” Britain.
BMW’s canny use of Minis highlights the challenge sponsors face at the Olympics to secure a return on their investment when exposure is heavily restricted by the IOC.
Steve Martin, chief executive of marketing agency M&C Saatchi Sport and Entertainment, said the use of Mini is the “surprise sponsorship of the Olympic Games.”
“People in the industry will look and see it’s the smartest thing around the Olympic Games for a long time,” Martin said. “The Olympic Stadium is almost a brandless sanctuary within the Olympic Park.”
The use of the Minis could open the door at future Olympics for sponsors to search for ways to get around IOC advertising restrictions.
“Fans have become accustomed to seeing their favorite Olympians in clean stadiums but they may come to accept brands appearing on the field of play if they have a clear role and add some value to the experience,” said Lucien Boyer, chief executive of brand agency Havas Sports & Entertainment. “The Mini radio-control cars collecting javelins have been useful to the organizers and amusing for spectators.
“However, the IOC must be sensitive to the reactions of other partners and mindful of what has made their sponsorship program so successful as these opportunities develop.”
Mini car takes the stage at Olympic Stadium
By Rob Harris, Sports Writer
Director Ayse Altinok Joins Good Times For U.S. Commercial Representation
Director and writer Ayse Altinok has joined commercial production company Good Times for U.S. representation. Altinok has directed campaigns for Nike, Horizon Milk, Larabar, Jose Cuervo, Unilever, Mavi Jeans, Boots, Lumene, and more.
A former art director at Wieden + Kennedy in Amsterdam and Portland, she approaches each project with careful consideration, analyzing the end goal as a first step and uncovering meaningful moments along the way. Her work features a cinematic, dreamlike quality and elevated aesthetic.
“Having the right chemistry and karma is very powerful and that’s what attracted me to Good Times, and also timing,” said Altinok. “It’s a place where I can continue to push myself as a filmmaker and try new things, whether it’s for a traditional commercial spot or a high concept art project and everything in between.”
“I’ve worked with Ayse for 20 years and she’s super talented. She’s great at finding gems in stories that would otherwise be overlooked, and her aesthetic is phenomenal,” noted Bernadette Spear, executive producer at Good Times. “She can also empathize with creatives, because she’s lived in that world and understands what our clients face and knows how to support their vision.”
Throughout her career, Altinok’s work has won many industry accolades, including awards from The One Show, Clio, Art Directors Club, AICP, and the ANDYs. In 2016, she was nominated for a D&AD Next Director Award for her short film A Day at the Mall Reminds Me of America, a motion poem. Her first short film, 2009’s Hortum was an official selection of 11 film festivals worldwide and won the Special Jury Prize for Best Drama at the Amsterdam Film Festival.
Outside of her short... Read More