The Directors Guild of America today announced that the DGA membership ratified the new collective bargaining agreement between the DGA and the Association of Independent Commercial Producers (AICP). The pact covers a three-year term from December 1, 2011 through November 30, 2014.
“We entered into negotiations with the goal of protecting the excellent health benefits enjoyed by our members, retirees and their families, and obtaining the best possible deal for our members in light of the continued difficult economic environment confronting the advertising production industry,” said DGA President Taylor Hackford. “I am very pleased that we achieved our goals with a new commercial contract that contains substantial improvements in every category.”
Negotiations were led by Associate National Executive Director/Eastern Executive Director Russ Hollander and a negotiations committee made up of DGA members. “We negotiated with the AICP to find solutions that would ensure the health of this business and keep our members working,” said Hollander. “The new agreement achieves those goals while establishing important additional provisions addressing safety guidelines, low budget agreements and producer flexibility.”
The National Commercial Agreement addresses wage increases for all members in each year of the contract including a 15.8% increase for 2nd 2nd assistant directors in the first year of the contract; increased contributions to the DGA Health Plan including a 17.65% increase in the employer contribution rate for all members plus additional contributions for directors; and a number of additional provisions addressing limits on non-disclosure agreements, extension of canceled call provisions to cover 2nd assistant directors and the establishment of several working committees that will meet during the term of the agreement, including a safety committee to develop a single set of recommended set safety guidelines. The Agreement also addresses a number of Producer concerns pertaining to low budget and foreign commercials including increasing low-budget thresholds from $250,000 to $300,000.
The DGA’s National Board of Directors unanimously approved the contract during the National Board Meeting on October 15, 2011, and ratifications materials were sent to the membership shortly thereafter.
Martin Scorsese On “The Saints,” Faith In Filmmaking and His Next Movie
When Martin Scorsese was a child growing up in New York's Little Italy, he would gaze up at the figures he saw around St. Patrick's Old Cathedral. "Who are these people? What is a saint?" Scorsese recalls. "The minute I walk out the door of the cathedral and I don't see any saints. I saw people trying to behave well within a world that was very primal and oppressed by organized crime. As a child, you wonder about the saints: Are they human?" For decades, Scorsese has pondered a project dedicated to the saints. Now, he's finally realized it in "Martin Scorsese Presents: The Saints," an eight-part docudrama series debuting Sunday on Fox Nation, the streaming service from Fox News Media. The one-hour episodes, written by Kent Jones and directed by Elizabeth Chomko, each chronicle a saint: Joan of Arc, Francis of Assisi, John the Baptist, Thomas Becket, Mary Magdalene, Moses the Black, Sebastian and Maximillian Kolbe. Joan of Arc kicks off the series on Sunday, with three weekly installments to follow; the last four will stream closer to Easter next year. In naturalistic reenactments followed by brief Scorsese-led discussions with experts, "The Saints" emphasizes that, yes, the saints were very human. They were flawed, imperfect people, which, to Scorsese, only heightens their great sacrifices and gestures of compassion. The Polish priest Kolbe, for example, helped spread antisemitism before, during WWII, sheltering Jews and, ultimately, volunteering to die in the place of a man who had been condemned at Auschwitz. Scorsese, who turns 82 on Sunday, recently met for an interview not long after returning from a trip to his grandfather's hometown in Sicily. He was made an honorary citizen and the experience was still lingering in his mind. Remarks have... Read More