Company 3 and sister facility Method Studios now offer clients a seamless workflow for stereoscopic 3D feature film digital intermediates. Filmmakers now have the option to have any portion of left/right “eye” alignment fixes–associated with all stereoscopic cinematography–addressed within Method’s dedicated stereography division.
Company 3, which has colored many major stereoscopic releases–including Alice in Wonderland, Pirates of the Caribbean: On Stranger Tides and the upcoming Transformers: Dark of the Moon and Fright Night–has already made use of this tandem service for Pirates, Transformers and Fright Night.
“Our clients have been extremely impressed with this collaborative workflow,” said Jackie Lee, Company 3’s VP of feature services.
“When you work in stereo, there are always certain discrepancies between the two ‘eyes,'” explained Steven Shapiro, lead stereographer and director of software and pipeline at Method. Shapiro, who has been intricately involved in stereoscopic post production for nearly a decade, notes that the Company 3/Method collaboration allows clients to maximize the close relationship between both companies, who share a building on Santa Monica’s Arizona Ave. “The service we provide at Method came out of the expertise and robust pipeline we have built doing VFX work.”
Shapiro acknowledged that many VFX companies offer services capable of addressing these issues, but that the Company 3/Method synergy allows clients a uniquely streamlined approach that integrates the work into the DI process. During the grading of stereoscopic projects, he explains, “if any alignment issues come up during grading, we can literally walk down to Company 3’s DI theater located within Method’s Santa Monica facility, ascertain the problem, fix it and drop it back into the timeline while the color grading session continues.”
This new service offering along with Deluxe Entertainment Services Group’s recent acquisition of the StereoD business makes Deluxe’s group of 3D creative and post production services a one stop shop for clients.
“Overnight Success” Has Been More Than A Decade In The Making For Meghann Fahy and Eve Hewson
Meghann Fahy and Eve Hewson, two of the stars of Netflix's whodunit "The Perfect Couple," have news for you if you want to call them breakouts: They've been working in this business for more than a decade.
Fahy made her TV debut in 2009 in an episode of "Gossip Girl." Hewson's first big film role was in 2011's "This Must Be the Place." They do concede, however, that it's recent TV roles — "The White Lotus" for Fahy and "Bad Sisters" for Hewson — that have led to new frontiers of opportunity.
Susanne Bier, who directed "The Perfect Couple," says both Fahy and Hewson are "going to be big stars."
"They certainly have proper, profound star quality, Both of them in very different ways," Bier says. "Both are incredibly creative, incredibly smart, and also have a impressive insight as to who they are. You can be a great actor or actress and not necessarily really know who you are yourself. And they do."
Hewson, 33, whose dad is U2 front man Bono, may have grown up in a famous family but she's now in demand in her own right. She will next be seen in a second season of "Bad Sisters, " out in November. She's in Noah Baumbach's next film, alongside Adam Sandler, George Clooney and Riley Keough. She's also been cast in Steven Spielberg's next production and is set to star opposite Murray Bartlett in a racing series for Hulu.
Fahy, 34, is in production on a limited series with Julianne Moore and Milly Alcock called "Sirens," written by Molly Smith Metzler ("Maid") for Netflix. She also has two films in the can with Josh O'Connor ("The Crown," "Challengers") and Brandon Sklenar ("It Ends With Us").
The two actors spoke candidly about this phase of their careers. This interview has been condensed for clarity and... Read More