By Morgan Lee & Andrew Dalton
SANTA FE, N.M. (AP) --A New Mexico judge on Friday brought a sudden and stunning end to the involuntary manslaughter case against Alec Baldwin, dismissing it in the middle of the actor's trial and saying it cannot be filed again.
Judge Mary Marlowe Sommer dismissed the case with prejudice based on the misconduct of police and prosecutors over the withholding of evidence from the defense in the shooting of cinematographer Halyna Hutchins on the set of the film "Rust."
Baldwin cried, hugged his two attorneys, gestured to the front of the court, then turned to hug his crying wife Hilaria, holding the embrace for 12 seconds. He climbed into an SUV outside the Santa Fe courthouse without speaking to media.
Baldwin, 66, could have gotten 18 months in prison if convicted.
"The late discovery of this evidence during trial has impeded the effective use of evidence in such a way that it has impacted the fundamental fairness of the proceedings," Marlowe Sommer said. "If this conduct does not rise to the level of bad faith it certainly comes so near to bad faith to show signs of scorching."
Sommer put a pause on the trial earlier Friday while she considered the defense motion to dismiss the case over the evidence.
The defense argued that prosecutors hid evidence from them about the ammunition that may be related to the shooting on the set of the Western "Rust" in 2021. The defense said they should have had the ability to determine its importance.
The prosecution said that the ammunition was not connected to the case and was not hidden.
The issue emerged Thursday on the second day of the actor's trial during defense questioning of sheriff's crime scene technician Marissa Poppell. Baldwin lawyer Alex Spiro asked whether a "good Samaritan" had come into the sheriff's office with the ammunition earlier this year after the trial of Hannah Gutierrez-Reed, the film's armorer, for her role in Hutchins' death. She was sentenced to 18 months in prison on an involuntary manslaughter conviction, which she is now appealing.
Dalton reported from Los Angeles.
Review: Director-Writer Megan Park’s “My Old Ass”
They say tripping on psychedelic mushrooms triggers hallucinations, anxiety, paranoia and nervousness. In the case of Elliott, an 18-year-old restless Canadian, they prompt a visitor.
"Dude, I'm you," says the guest, as she nonchalantly burns a 'smores on a campfire next to a very high and stunned Elliott. "Well, I'm a 39-year-old you. What's up?"
What's up, indeed: Director-writer Megan Park has crafted a wistful coming-of-age tale using this comedic device for "My Old Ass" and the results are uneven even though she nails the landing.
After the older Elliott proves who she is ā they share a particular scar, childhood memories and a smaller left boob ā the time-travel advice begins: Be nice to your brothers and mom, and stay away from a guy named Chad.
"Can we hug?" asks the older Elliott. They do. "This is so weird," says the younger Elliott, who then makes things even weirder when she asks for a kiss ā to know what it's like kissing yourself. The older Elliott soon puts her number into the younger's phone under the name "My Old Ass." Then they keep in touch, long after the effects of the 'shrooms have gone.
Part of the movie's problem that can't be ignored is that the two Elliotts look nothing alike. Maisy Stella plays the coltish young version and a wry Aubrey Plaza the older. Both turn in fine performances but the visuals are slowly grating.
The arrival of the older Elliott coincides with her younger self counting down the days until she can flee from her small town of 300 in the Muskoka Lakes region to college in Toronto, where "my life is about to start." She's sick of life on a cranberry farm.
Park's scenes and dialogue are unrushed and honest as Elliott takes her older self's advice and tries to repair... Read More