Susie Nam has been appointed CEO of Publicis Creative US. In this role, Nam will apply her creative leadership talent to driving all operations and excellence for Publicis’ agency brands, including Leo Burnett, Saatchi & Saatchi, Fallon, BBH, Team One, The Community and Turner Duckworth. Nam will report to Publicis Groupe chief strategy officer Carla Serrano.
Most recently CEO of the Americas for Droga5, Nam is lauded for her ability to design agency systems and cultures that yield breakthrough ideas and best-in-class talent. With leadership roles spanning account management, chief operating officer and ultimately CEO, Nam was instrumental during her 14-year tenure with Droga5 in driving its growth and notoriety from a 35-employee team, to an industry-leading brand spanning the NYC flagship office and four global hubs. Nam began her career in publishing, as a journalist at George magazine, before serving as features editor for The New York Times’ very first online edition. She studied at the London School of Economics, and practiced as an urban planner in England, before returning to the U.S. and turning her talents to advertising at Fallon, before ultimately joining Droga5 in 2009.
A Korean-American executive, Nam is also widely known for her ongoing advocacy and leadership for diversity, equality and inclusion across communities. She currently serves as the chair of the ADCOLOR Board of Directors, the organization celebrating and promoting professionals of color in the creative industries. Nam is an Aspen Institute First Movers Fellow, was recognized among The Ad Club’s 2023 Innovators, and was recently honored with the Impact Award by the Asian American Federation.
“I’m looking forward to this next chapter–especially excited to be an advocate for the power and impact that creativity can and should have in this climate,” said Nam. “While there is incredible innovation and connectivity that sets rich circumstances for good work, the essential ingredient remains best in class creativity. I hope to help all the agencies and their leadership toward this ambition.”
Serrano added, “Susie’s last role focused on finding that bridge between creativity, data, technology and consultancy. Her new position at Publicis allows her to fulfill this vision in practice, and tremendous opportunity lies ahead for our clients, our agency brands and our talent.”
Nam replaces Andrew Swinand, who is leaving the organization in the spring to pursue other opportunities.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More