By Jake Coyle, Film Writer
NEW YORK (AP) --The DC superhero film "Blue Beetle" led weekend ticket sales with a modest $25.4 million opening, according to studio estimates Sunday, dethroning "Barbie" from the top spot after a record-setting run that left movie theaters colored pink for a month.
The "Barbie" phenomenon is far from over. Greta Gerwig's film, which earlier this week became the highest grossing Warner Bros. release ever domestically, nearly managed to stay No. 1 again with $21.5 million in its fifth weekend. It's up to $567.3 million in North America and an eye-popping $1.28 billion globally.
The other half of "Barbenheimer" also continues to perform remarkably well for a movie so far into its run.
Christopher Nolan's "Oppenheimer" took in $10.6 million in its fifth week. With a $285.2 million domestic total, "Oppenheimer" now owns the distinction of being the biggest box-office hit never to land No. 1 at the weekend box office. The previous record-holder for that unlikely stat is 2016's "Sing," which grossed $270.3 million in the shadow of "Rogue One: A Star Wars Story" and "Hidden Figures."
Universal Pictures' "Oppenheimer" has done even better overseas. Its global gross stands at an estimated $717.8 million through Sunday.
"Blue Beetle," starring Xolo Maridueña, came in on the lower side of expectations and notched one of the lower debuts for a DC Comics movie. Though earlier planned as a streaming-only release, Warner Bros. elected to put "Blue Beetle," the first DC movie to star a Latino superhero, into theaters in the late summer, a typically quiet period at the box office.
The production price tag of about $105 million was lower for "Blue Beetle" than the average superhero film. It's one of the last releases produced under an earlier regime at DC Studios, which James Gunn and Peter Safran took the reins of last year.
The film, directed by Ángel Manuel Soto and written by Gareth Dunnet-Alcocer, drew solid reviews – certainly better than the three previous DC releases this year ("The Flash," "Black Adam" and "Shazam! Fury of the Gods"). "Blue Beetle" (76% fresh on Rotten Tomatoes) is the rare comic-book film to put a Hispanic cast front and center.
But it also faced some tough luck, and not just in the unexpected staying power of "Barbie" and "Oppenheimer." Southern California was bracing Sunday for Hurricane Hilary — potentially dampening ticket sales in the region. (Los Angeles was still its top market.) And like recent releases, "Blue Beetle," which added $18 million internationally, didn't have its cast available to promote the movie due to the ongoing actors strike.
Universal's raunchy R-rated canine comedy "Strays" showed even less bite. The film, with a voice cast including Will Ferrell and Jamie Foxx, landed in fifth place with $8.4 million. Comedies have generally struggled in theaters in recent years, but "Strays" had it particularly rough given that its starry cast was unavailable.
"Strays" was very narrowly bested by "Teenage Mutant Ninja Turtles: Mutant Mayhem." The Paramount Pictures animated release earned $8.4 million in its third weekend, bringing its domestic total to $88.1 million.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
1. "Blue Beetle," $25.4 million.
2. "Barbie," $21.5 million.
3. "Oppenheimer," $10.6 million.
4. "Teenage Mutant Ninja Turtles: Mutant Mayhem," $8.4 million.
5. "Strays," $8.3 million.
6. "Meg 2: The Trench," $6.7 million.
7. "Talk to Me," $3.2 million.
8. "Haunted Mansion," $3 million.
9. "Mission: Impossible — Dead Reckoning Part One," $2.7 million.
10. "The Last Voyage of the Demeter," $2.5 million.
“Overnight Success” Has Been More Than A Decade In The Making For Meghann Fahy and Eve Hewson
Meghann Fahy and Eve Hewson, two of the stars of Netflix's whodunit "The Perfect Couple," have news for you if you want to call them breakouts: They've been working in this business for more than a decade.
Fahy made her TV debut in 2009 in an episode of "Gossip Girl." Hewson's first big film role was in 2011's "This Must Be the Place." They do concede, however, that it's recent TV roles — "The White Lotus" for Fahy and "Bad Sisters" for Hewson — that have led to new frontiers of opportunity.
Susanne Bier, who directed "The Perfect Couple," says both Fahy and Hewson are "going to be big stars."
"They certainly have proper, profound star quality, Both of them in very different ways," Bier says. "Both are incredibly creative, incredibly smart, and also have a impressive insight as to who they are. You can be a great actor or actress and not necessarily really know who you are yourself. And they do."
Hewson, 33, whose dad is U2 front man Bono, may have grown up in a famous family but she's now in demand in her own right. She will next be seen in a second season of "Bad Sisters, " out in November. She's in Noah Baumbach's next film, alongside Adam Sandler, George Clooney and Riley Keough. She's also been cast in Steven Spielberg's next production and is set to star opposite Murray Bartlett in a racing series for Hulu.
Fahy, 34, is in production on a limited series with Julianne Moore and Milly Alcock called "Sirens," written by Molly Smith Metzler ("Maid") for Netflix. She also has two films in the can with Josh O'Connor ("The Crown," "Challengers") and Brandon Sklenar ("It Ends With Us").
The two actors spoke candidly about this phase of their careers. This interview has been condensed for clarity and... Read More