The Toronto International Film Festival has unveiled the lineup of films for the TIFF Docs program featuring 22 titles from 12 countries. The 2023 TIFF Docs premieres showcase a wide variety of documentary filmmaking: personal, political, observational, essayistic, historical, biographical, and indescribable. Audiences will encounter unforgettable figures such as mountain climber Lhakpa Sherpa, Japan’s reality TV star Nasubi, Ukraine’s foreign minister Dmytro Kuleba, Indigenous activist Layla Staats, historian Dr. Ibram X. Kendi, and Canadian icon Mr. Dressup.
“We believe documentaries have a unique power to illuminate untold stories, challenge perspectives, and inspire meaningful change,” said Anita Lee, chief programming officer, TIFF. “We are committed to celebrating the artistry and impact of documentary filmmaking, and it’s an absolute privilege to provide a platform for these remarkable storytellers. As someone with a background in documentary production myself, I know firsthand the dedication and passion that goes into crafting these narratives that resonate with audiences worldwide. We invite all documentary filmmakers to join us at TIFF as we continue to champion their vital contributions to the world of cinema.”
“This year’s slate of TIFF Docs titles is guaranteed to start conversations,” said TIFF Docs programmer Thom Powers. “Audiences can expect big emotions that run the gamut over extraordinary accomplishments, quests for justice, and poignant personal journeys. Many of these attention-getting titles will be coming to the Festival looking for buyers.”
TIFF Docs program presented by A&E IndieFilms will open with the world premiere of Copa 71 from Rachel Ramsay and James Erskine, which serves to restore the lost legacy of a 1971 international women’s soccer tournament that had record setting crowds in Mexico City but was largely erased from sports history. World premieres from global veteran doc makers include Raoul Peck’s Silver Dollar Road, which chronicles how a Black family fights over several decades to save their North Carolina property from land grabbing developers; Anand Patwardhan’s The World is Family, which traces his parents’ personal history and their links to the leaders of India’s independence movement; Karim Amer’s Defiant, which gains extraordinary access to Ukraine’s foreign minister Dmytro Kuleba and his colleagues as they wage a war against disinformation; Lucy Walker’s Mountain Queen: The Summits of Lhakpa Sherpa, which profiles a single mother working as a dishwasher at a Connecticut Whole Foods who has another life as record-breaking mountain climber; and Roger Ross Williams’ Stamped From the Beginning, based on the best-selling book by Dr. Ibram X. Kendi, which examines the history of anti-Black racism in the U.S.
World premieres from mid-career auteurs and rising stars include Clair Titley’s The Contestant, which tells the jaw-dropping story of a Japanese reality TV show participant, Nasubi, who spent months naked in solitary confinement, trying to win sweepstake prizes for his survival; Robert McCallum’s Mr. Dressup: The Magic of Make-Believe, about the beloved Canadian entertainer and television star who won the hearts of children across the country; Caroline Suh and Cara Mones’ Sorry/Not Sorry, which focuses on women who accused Louis C.K. of sexual harassment and the consequences to their careers; Chris Wilcha’s Flipside, a new doc from the award-winning director of the This American Life TV series about his comical attempt to save a New Jersey record store and confront a mid-life crisis; Boil Alert from Stevie Salas and James Burns, a Canadian doc following activist Layla Staats’ dual journey to explore Indigenous peoples’ relationship to water and her own identity as a Mohawk woman; Homecoming by Suvi West and Anssi Kömi, in which the Indigenous Sámi people fight to get back their stolen ancestral heritage; Jen Markowitz’s Summer Qamp, chronicling a dynamic session of a LGBTQIA2S+ summer camp nestled around the Canadian Rockies; and Kasia Smutniak’s Walls, a personal journey that plays like a thriller in which Smutniak documents the refugee flow in the “red zone” of the Belarusian-Polish border while evading arrest.
International and North American Premieres from legendary filmmakers include Frederick Wiseman’s Menus-Plaisirs Les Troisgros, in which the 93-year-old director embeds inside a French restaurant that’s held three Michelin stars for more than 50 years, and Errol Morris’ The Pigeon Tunnel, a masterful portrait of the spy novelist David Cornwell–a.k.a. John Le Carré–for what was the author’s final interview.
Rounding out TIFF Docs 2023 with North American premieres are Lina Soualem’s Bye Bye Tiberias, in which the director profiles her mother–Palestinian actress Hiam Abbass (Succession)–exploring her choice to leave her native village 30 years ago in pursuit of her dream of acting; Andrés Peyrot’s God is a Woman, which follows the Kuna Indigenous community in Panama as they seek to gain access to a French documentary made about them 40 years ago; Maciek Hamela’s In the Rearview, an exceptionally intimate film following a Polish vehicle as it traverses the roads of Ukraine to help its passengers flee amidst the Russian invasion; Asmae El Moudir’s The Mother of All Lies, winner of two awards at Cannes in which–on a handmade set recreating her Casablanca neighborhood–a young Moroccan filmmaker enlists family and friends to help solve key mysteries of her childhood; Margreth Olin’s Songs of Earth, which follows the filmmaker’s octogenarian father on walks through Norway’s landscapes of mountains, glaciers, and waterfalls for an immersion into nature with stunning cinematography; and Pierre-Henri Gibert’s Viva Varda!, which profiles the pioneering filmmaker Agnès Varda with fresh perspectives that complement her autobiographical work.
These TIFF Docs titles join a number of documentaries already announced for TIFF 2023 as part of the Gala and Special Presentations programmes, including Leigh Brooks’ Hate to Love: Nickelback, Kaouther Ben Hania’s Four Daughters, Alex Gibney’s In Restless Dreams: The Music of Paul Simon, and Chelsea McMullan’s Swan Song.
2023 TIFF Docs program:
Boil Alert Stevie Salas, James Burns | Canada/USA
World Premiere
Bye Bye Tiberias Lina Soualem | France/Belgium/Qatar/Palestine
North American Premiere
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Copa 71 Rachel Ramsay, James Erskine | United Kingdom
World Premiere
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Defiant Karim Amer | Ukraine/United Kingdom/USA
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Flipside Chris Wilcha | USA
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God is a Woman Andrés Peyrot | France/Switzerland/Panama
North American Premiere
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Homecoming Suvi West, Anssi Kömi | Finland/Norway
World Premiere
In the Rearview Maciek Hamela | Poland/France/Ukraine
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Menus-Plaisirs Les Troisgros Frederick Wiseman | France/USA
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Mountain Queen: The Summits of Lhakpa Sherpa Lucy Walker | USA
World Premiere
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Mr. Dressup: The Magic of Make-Believe Robert McCallum | Canada
World Premiere
Silver Dollar Road Raoul Peck | USA
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Songs of Earth Margreth Olin | Norway
North American Premiere
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Sorry/Not Sorry Caroline Suh, Cara Mones | USA
World Premiere
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Stamped From the Beginning Roger Ross Williams | USA
World Premiere
Summer Qamp Jen Markowitz | Canada
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The Contestant Clair Titley | United Kingdom
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The Mother of All Lies Asmae El Moudir | Morocco/Egypt/Saudi Arabia/Qatar
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The Pigeon Tunnel Errol Morris | United Kingdom/USA/Hungary
International Premiere
The World is Family Anand Patwardhan | India
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Viva Varda! Pierre-Henri Gibert | France
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Walls Kasia Smutniak | Italy
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Immersion In Sight, Sound and Story At Sphere
Live sports and cinematic storytelling meshed earlier this month (9/14) at Sphere, the revolutionary new entertainment venue in Las Vegas. UFC 306, Sphere’s first live sports event, brought mixed martial arts boxing matches together with the world premiere of a film--For Mexico, For All Time--which played out in six 90-second chapters in between the bouts on the UFC pay-per-view card. Each chapter focused on a different period in Mexican history and its influence on shaping Mexican identity. Shown on the massive interior display of Sphere, For Mexico, For All Time was created by filmmaker Carlos López Estrada and produced by Valerie Bush via Antigravity Academy, and co-produced by Nexus Studios. Sound designer, supervising sound editor and lead re-recording mixer Drazen Bosnjak and his team at New York-headquartered Q Department brought their creative and technical wherewithal to For Mexico, For All Time, dovetailing with the sound ensemble at Sphere and indie composer Germaine Franco. They contributed to what turned out to be the highest grossing UFC event of all time, and the highest grossing single event at Sphere, playing before a sold out crowd of 16,024. López Estrada, whose work as writer-director on Raya and the Last Dragon earned him an Oscar nomination for Best Animated Feature Film in 2022, described For Mexico, For All Time as “a larger-than-life project,” referring to its size and scope--on varied fronts. For one, Sphere houses the world’s highest resolution LED display coupled with a 167,000 speaker audio system, facilitating an immersive multi-sensory experience. López Estrada’s studio, Antigravity Academy, had a steep learning curve relative to the process of creating and producing a film that... Read More