Iconic production designer Robert F. Boyle, a four-time Academy Award nominee for art direction for his work on “North by Northwest,” “Gaily, Gaily,” “The Shootist” and “Fiddler on the Roof,” and recipient of an honorary Oscar in 2008 for his work on these and more than 86 other motion pictures, died on Aug. 1 of natural causes after a two-day stay at Cedars Sinai Hospital. He was 100.
In 1997 Boyle was voted a Lifetime Achievement Award by the Art Directors Guild. In 2001 he was further honored with the Hollywood Production Designer of the Year Award by the Hollywood Film Festival. Recently he was given a tribute by the American Cinematheque and the Art Directors Guild with a screening at the Egyptian Theatre of two of his designed films, “The Wolf Man” (1941) and “Gaily, Gaily” (1969). In 1973 he was nominated for an Emmy for “The Red Pony.”
Among his other major motion picture credits as a production designer are “The Birds,” “Winter Kills,” “The Best Little Whorehouse In Texas,” “Private Benjamin,” “Portnoy’s Complaint,” “The Thomas Crown Affair,” “In Cold Blood,” “How To Succeed In Business Without Really Trying,” “The Russians Are Coming, The Russians Are Coming,” “The Shootist” and the original “Cape Fear.”
Boyle worked on numerous films for Alfred Hitchcock and Norman Jewison as well as for such other famed directors as Tom Mankiewicz, Penny Marshall, Joe Dante, Sylvester Stallone, Hal Ashby, Arthur Hiller and Don Siegel. Until he was hospitalized he was a Distinguished Lecturer at the American Film Institute Conservatory in Los Angeles where he was considered the “guiding light” of the Institute’s production design department.
Boyle is the subject of Daniel Raim’s Oscar-nominated documentary, “The Man On Lincoln’s Nose” (2000), which refers to Hitchcock’s “North By Northwest” film that Boyle designed. He also is a prominent subject in Raim’s newest documentary about production designers, “Something’s Gonna Live,” that includes participation by three other deceased production designers, Henry Bumstead, Albert Nozaki and Harold Michelson.
Boyle was born October 10, 1909, in Los Angeles and was a graduate of the School of Architecture of the University of Southern California (1933). He began his art direction career that year at Paramount Studios moving from there to Universal Studios. In 1941 Hitchcock chose him to be the art director on his “Saboteur” film. He served as a member of the Board of Governors of the Academy of Motion Picture Arts & Sciences for nine years and was a two-term president of the Art Directors Guild.
Memorial services are pending for Boyle who is survived by two daughters: Emily Boyle-Biddle of Hollywood, CA, and Susan Licon of Toledo, Oregon, and three grandchildren. Boyle’s wife, Bess Taffel Boyle, died in 1999.
Google Opens Its Defense In Antitrust Case Alleging Monopoly Over Online Ad Technology
Google opened its defense against allegations that it holds an illegal monopoly on online advertising technology Friday with witness testimony saying the industry is vastly more complex and competitive than portrayed by the federal government.
"The industry has been exceptionally fluid over the last 18 years," said Scott Sheffer, a vice president for global partnerships at Google, the company's first witness at its antitrust trial in federal court in Alexandria.
The Justice Department and a coalition of states contend that Google built and maintained an illegal monopoly over the technology that facilitates the buying and selling of online ads seen by consumers.
Google counters that the government's case improperly focuses on a narrow type of online ads — essentially the rectangular ones that appear on the top and on the right-hand side of a webpage. In its opening statement, Google's lawyers said the Supreme Court has warned judges against taking action when dealing with rapidly emerging technology like what Sheffer described because of the risk of error or unintended consequences.
Google says defining the market so narrowly ignores the competition it faces from social media companies, Amazon, streaming TV providers and others who offer advertisers the means to reach online consumers.
Justice Department lawyers called witnesses to testify for two weeks before resting their case Friday afternoon, detailing the ways that automated ad exchanges conduct auctions in a matter of milliseconds to determine which ads are placed in front of which consumers and how much they cost.
The department contends the auctions are finessed in subtle ways that benefit Google to the exclusion of would-be competitors and in ways that prevent... Read More