Jury Prizes go to Clara Cullen’s "Manuela" for Best Narrative Feature, and Gisela Delgadillo’s "Kenya" for Best Documentary Feature; Audience Awards go to Marie Clements’ "Bones of Crows" for Narrative Feature, and "Miwene" for Documentary Feature
Austin’s Cine Las Americas announced the filmmaker award winners following the conclusion of a hugely successful 25th Anniversary edition of the Cine Las Americas International Film Festival (CLAIFF). Leading the list of films winning jury prizes were Clara Cullen’s Manuela (Best Narrative Feature), and Gisela Delgadillo’s Kenya (Best Documentary Feature). Films taking the Audience Awards were topped by Marie Clements’ Bones of Crows (Narrative Feature), and Miwene, directed by Keith Heyward, Jennifer Berglund, Gange Anita Yeti Enomenga, Obe Beatriz Nenquimo Nihua (Documentary Feature).
The 25th edition celebrated the platform Cine Las Americas has created for filmmakers from around the world for a quarter century as the film festival has showcased films and videos from Latin America (North, Central, South America, and the Caribbean) and the Iberian Peninsula.
Cine Las Americas Board of Directors President John Estrada, said, “We could not have asked for more enthusiasm, larger audiences, local media attention, and of course happy filmmakers enjoying the genuine connection that is made between film-loving audiences and the people who create those films so vital here in Austin. It is wonderful to be able to both look at the amazing history of this film festival and the filmmakers who have crossed our path, while also seeing how we continue to grow into the beacon CLAIFF has become worldwide as well as an important part of the cultural fabric in a city that continues to be a central hub for filmmaking here in Texas and the Southwest.”
Regarding the selection of Clara Cullen’s Manuela for the Best Narrative Feature Jury Prize, Jury member Paula Heredia (Director of Africa Rising), cited the film for the skill in which the film explores the relationship of a woman and a child in desperate need of each other without fancy devices.
On the documentary side, Jury member Anäis Tracena (Director of El Silencio del Topo) described Gisela Delgadillo’s winner Kenya as “an intimate and affectionate portrait of Kenya, a human rights activist for the transgender community in Mexico City. With respect and sincerity, the director takes us into Kenya's story and the reality of her other companions, with an insider’s view of the impact of violence experienced by the transgender community and the bonds of solidarity that are built. A fully realized story filled with sensitivity and humanism.”
Jury prize winners in the Shorts Competition included Faustino Alanis’ Llueven las flores, Los Pirates Y El Tesoro De La Bruja (Rain of Flowers, The Pirates and the Witch’s Treasure) (Best Narrative Short), and Paula Heredia’s Imelda Is Not Alone (Best Documentary Short), with Honorable Mentions on the Narrative side going to Daniel Guarda’s Naquele Dia Escuro (That Dark Day), and Carlos Novella’s La Torta (The Cake). In the Hecho En Tejas Competition, Luis Fernando Puente’s Sin Lágrimas Para Llorar (I Have No Tears, and I Must Cry) took the Jury Prize, with Anne Lewis and Laura Varela’s Raúl R Salinas and the Poetry of Liberation: Un Trip winning the Audience Award. There was a tie for the Audience awards for Best Music Video with Orca Videos’ Almacén de Datos with Sara Hebe, featuring Anita Tijoux, and Fran Grenada’s Perra with Samantha Hudson and La Dani sharing the award. Isabella Wren Tealey’s Spiral took both the Jury prize and the Audience Award in the Emergencia Youth Film Competition.
Opening Night featured an Austin encore presentation of Eva Longoria’s entertaining Flamin’ Hot at AFS Cinema. The celebratory evening kicked off the 25th Anniversary theme with festival founders Celeste Quesada, Rene Renteria, and Sandra Guardado in attendance and walking the red carpet prior to the screening. Cine Las Americas’ signature programming track, “Hecho en Tejas,” presented with support from HEB and in partnership with Texas Archives for the Moving Image, showcasing local filmmaking talent with varied backgrounds via films and videos shot and/or produced in Texas, once again was a genuine highlight with a sold-out screening at the brand-new Austin PBS Media Center Studio, including several attending filmmakers there to soak up the attention.
Cine Las Americas is supported by the National Endowment for the Arts, Texas Commission on the Arts, and the Cultural Arts Division of the City of Austin Economic Department. For more information about Cine Las Americas, visit https://cinelasamericas.org/.
JURY AWARD FOR BEST NARRATIVE FEATURE
Manuela
Director: Clara Cullen
Countries: Argentina/United States
AUDIENCE AWARD FOR BEST NARRATIVE FEATURE
Bones of Crows
Director: Marie Clements
Country: Canada
JURY AWARD FOR BEST DOCUMENTARY FEATURE
Kenya
Director: Gisela Delgadillo
Country: Mexico
AUDIENCE AWARD FOR BEST DOCUMENTARY FEATURE
Miwene
Directors: Keith Heyward, Jennifer Berglund, Gange Anita Yeti Enomenga, Obe Beatriz Nenquimo Nihua
Country: Ecuador
JURY AWARD FOR BEST NARRATIVE SHORT
Llueven las flores, Los Pirates Y El Tesoro De La Bruja (Rain of Flowers, The Pirates and the Witch’s Treasure)
Director: Faustino Alanis
Country: Mexico
HONORABLE MENTION
Naquele Dia Escuro (That Dark Day)
Director: Daniel Guarda
Country: Brazil
HONORABLE MENTION
La Torta (The Cake)
Director: Carlos Novella
Country: Venezuela
JURY AWARD FOR BEST DOCUMENTARY SHORT
Imelda Is Not Alone
Director: Paula Heredia
Countries: El Salvador, United States
JURY AWARD FOR BEST HECHO EN TEJAS FILM
Sin Lágrimas Para Llorar (I Have No Tears, and I Must Cry)
Director: Luis Fernando Puente
Country: United States
AUDIENCE AWARD FOR BEST HECHO EN TEJAS FILM
Raúl R Salinas and the Poetry of Liberation: Un Trip
Directors: Anne Lewis, Laura Varela
Country: United States
AUDIENCE AWARD FOR BEST MUSIC VIDEO
Almacén de Datos
Director: Orca Videos
Artist: Sara Hebe ft. Anita Tijoux
Country: Argentina
Perra
Director: Fran Grenada
Artist: Samantha Hudson & La Dani
Country: Spain
AUDIENCE AWARD FOR BEST EMERGENCIA YOUTH FILM
Spiral
Director: Isabella Wren Tealey
Country: United States
JURY AWARD FOR BEST EMERGENCIA YOUTH FILM
Spiral
Director: Isabella Wren Tealey
Country: United States
About CINE LAS AMERICAS
Cine Las Americas is a multi-cultural, 501(c)(3) non-profit organization based in Austin Texas, offering theatrical screenings of films made by and/or about Latinos or Indigenous peoples of the Americas. Films from Spain and Portugal are also included, enhancing a truly Pan-American cinematic experience. The mission of Cine Las Americas is to promote cross-cultural understanding and growth by educating, entertaining, and challenging the diverse Central Texas community through film and media arts.
Simian Gets An Evolutionary Boost For Collaboration, Reveals “Teams”
Simian, the showreel-building, review & approval, and production asset management platform used globally by creative leaders, is kicking off this fall season with a substantial leap forward for collaboration and project management – with more updates on the way during the holidays!
The new feature, aptly dubbed “Teams”, makes it easier than ever for users to give project responsibilities to team members and clients alike. “You can never have too many options when it comes to permission levels,” says Jay Brooks, Simian’s Chief Technology Officer. “Teams provides a streamlined way to assign multiple users to a project at once.”
“Teams are very powerful, but creating one is effortless,” Brian Atton, Simian’s Chief Operating Officer explains. “Simply enter a Team name, add members, and then apply the newly made Team to any desired project. You can even invite temporary guests without changing settings for other projects or needing to create a new Team.”
“We love helping our clients by providing efficient tools to improve their workflow, and this has been a frequently requested feature as of late,” shares Kellie Atton, Head of Sales at Simian. “It feels great to get Teams out into the wild because I know it’s going to be tremendously helpful to everyone who uses it”.
Teams is now available exclusively to Simian’s enterprise clients. Simian plans to release more product upgrades and enhancements during Q4 2024 and 2025 for enterprise and non-enterprise users, continuing its ongoing evolution as the industry’s leading production asset management solution.
For more information on Simian upgrades and features, visit https://www.gosimian.com/
About Simian
Simian (