There are circumstances in life to which the expression “one size fits all” applies to everyone’s benefit, but in-school learning is not one of them. That’s the belief of pre-k-12 technology company Renaissance as reflected in its first brand film, “Dopplelearners,” directed by Clay Weiner of Biscuit Filmworks for Goodby Silverstein & Partners.
“Dopplelearners” tells the story of one student’s journey through a typical school day, where he struggles to simply be seen for the unique person he is.
“I think we can all remember moments from our school days when we felt a bit at sea and the one teacher who really helped us feel seen in those moments,” said GS&P creative director Jon Wyville. “As we worked with Clay to develop the script, we talked a lot about John Hughes and all his funny yet deeply emotional films. We wanted to create a kind of day-in-the-life story of highs and lows in which you empathized not only with the student but ultimately with the teacher as well.”
The film, which will run internationally beginning in late spring, is the first piece of creative in Renaissance’s “See Every Student” campaign. It is part of a new brand identity that embraces the company’s almost 40-year history as a leader in K–12 education technology while taking a fresh and forward-looking approach to the future of Renaissance.
Credits
Client Blackstone Brand Renaissance Agency Goodby Silverstein & Partners Margaret Johnson, partner, chief creative officer; Jon Wyville, Jon Wolanske, creative directors; Paul Rice, art director; Collin Smith, copywriter; Johann Vernizzi, designer; Bonnie Wan, partner, head of brad strategy; Christine Chen, partner, head of communication strategy; Stephanie Phillips, group brand strategy director; Chelsea Bruzzone, sr. brand strategist; Nick Reggars, group content strategy director; Jim Haight, digital production; Danielle Riccardi, executive producer; Tiffany Yeh, producer. Production Biscuit Filmworks Clay Weiner, director; Shawn Lacy, partner/managing director; Adam Marsden, DP; Holly Vega, exec producer; Biz Bottomley, producer; Sean Moody, head of production; Francois Jordaan, production designer; Angela Koszuta, wardrobe stylist; Raquel Atienza, hair & makeup artist. Editorial Cabin Editing Company Andrew Ratzlaff, editor; Doug Scott, assistant editor; Adam Becht, exec producer; Marta Navarrete, post producer. Audio & Sound Design Lime Studios Adam Primack, sound designer, audio engineer; Meg Ochs, assistant mixer; Susan Boyajan, exec producer; Cassie Underwood, producer. Music Songs for Film and T.V. K.S. Rhoads, audio engineer; David Fisher, exec producer; K.S. Rhoads, producer; Music–”Renaissance v8” by K.S. Rhoads Identity Design Pentagram Luke Hayman, partner/creative director; Shigeto Akiyama, associate partner; Antonio Nogueira, Rob Hewitt, designers; Avery George, project manager. VFX KEVIN Gareth Parr, shoot supervisor, VFX lead Flame artist; Sue Troyan, sr. exec producer; Jami Schakel, sr. VFX producer; Connor Van Der Linde, VFX coordinator; Steve Gibbons, Susanne Scharping, Flame artists; Dag Ivarsoy, Luke Yalva, Nuke artists. Color TRAFIK Daniel De Vue, colorist; Julia King, color producer.
FactSet, a global financial digital platform and enterprise solutions provider, has partnered with Chicago-based creative agency VSA Partners to unveil a second round of spots in its “Not Just the Facts” campaign. The campaign originally launched back in April.
The campaign was built on a core strategic insight: While quality data is critical for financial professionals, facts in isolation provide little value. FactSet’s personalization, data connectivity, open and flexible technology, and dedicated service and support provide the context necessary for the investment community to turn facts into valuable insights--and make the most of them.
The new creative picks up where the previous left off. This time it focuses on a particularly boorish office worker, drolly played by character actor Wyndham Maxwell, who ticks off an encyclopedic list of facts and non sequiturs during business meetings and to the bemusement of his colleagues.
The tongue-in-cheek campaign, which plays more like a perfect-pitch comedy series than a typical B2B commercial effort, is a major departure from financial services industry norm--both in its use of humor and in its humanistic approach. Starting this week, FactSet will roll out 16 unique spots—a combination of :30s, :15s, :06s and nine “shorts”—across multiple channels including digital, streaming and CTV.
This :30, “Dinos,” has an office worker’s relevant reference to dinosaurs spark our boorish colleague who proceeds to utter one irrelevant fact after another about the prehistoric creatures.
The Los Angeles–based Docter Twins (Matthew and Jason Docter) directed the original campaign and this new humorous work through their production company, Thinking Machine. The identical twin... Read More