By Jessica Mintz, Technology Writer
SEATTLE (AP) --TV viewers can return to their favorite programs without fear of seeing Bill Gates shaking his tushie now that Microsoft Corp. has retired a bizarre two-week-old ad campaign featuring the software giant’s chairman with comedian Jerry Seinfeld.
Bloggers and online media have suggested that the Redmond, Wash.-based company yanked the Seinfeld ads after they were poorly received. The ads show Gates and Seinfeld trading banter at a mall shoe store and while living with a suburban family, trying to get in touch with regular people. Seinfeld asks Gates nonsensical questions about the future of computing, and Gates responds with “signs” that he’s on the right track, including “adjusting his shorts,” as Seinfeld called the awkward hip shake, and doing “the robot,” a dance move.
However, a senior vice president in Microsoft’s central marketing group, Mich Mathews, contended in an interview Thursday that it was always the plan to replace the Seinfeld-Gates ads with ones that focus on Windows.
“The notion that we’re doing some quick thing to cancel (the Seinfeld ads) is actually preposterous,” Mathews said. “Today was always the day. … Media buying is something you have to do months in advance.”
Mathews described the three Seinfeld spots as ice breakers with a limited shelf life, designed to grab people’s attention in a tongue-in-cheek way without the pressure of having to talk about the product.
“We wanted to be sure that when we do come out with our major message, today, ‘Life Without Walls,’ more people would be paying attention than they would otherwise,” Mathews said. “My goodness, did we do that.”
The Windows-focused campaign attempts to turn Apple’s “I’m a Mac” ads on their head. A new TV ad set to debut during “The Office” on NBC Thursday evening begins with a Microsoft engineer who looks like the PC character in Apple’s ads saying “Hello, I’m a PC, and I’ve been made into a stereotype.” He’s followed by a montage of real-life PC users, celebrities and Microsoft Windows engineers who all repeat the “I’m a PC” mantra.
Microsoft also has ads queued up for print, Web and public spaces that focus on the way Windows, Windows Mobile, Microsoft’s Live services and its TV platform connect.
The $300 million campaign was designed by ad agency Crispin Porter + Bogusky. Microsoft said the company is “exploring options” with Seinfeld for new ads, but that no ads beyond the three that aired have been filmed so far.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More