By Jake Coyle, Entertainment Writer
NEW YORK (AP) --No soup for Microsoft?
The software giant’s new ad starring Jerry Seinfeld has draw largely negative reviews online after premiering Thursday night during NBC’s broadcast of the National Football League’s season kickoff game.
The ad was the start of a highly anticipated $300 million advertising campaign that Microsoft is launching in attempt to rebuff Apple’s popular TV commercials, which have portrayed Microsoft and PCs as uncool.
In the commercial – which can be found at Microsoft.com and on video sharing sites – Seinfeld is walking through a mall when he spots Microsoft Chairman Bill Gates at a “Shoe Circus” store. The comedian than helps Gates pick out a new pair of shoes while the jokes come quick: showering with clothes on, Gates being a “10,” platinum credit cards for a fictional shoe store.
It’s a zany ad that packs a lot of quirkiness into 90 seconds. With no direct mention of Microsoft or its operating system, Vista, the commercial concludes with the slogan: “The future, delicious.”
The ad was created by Crispin Porter & Bogusky – a firm with a reputation for oddness. Many technology and advertising blogs have turned to Seinfeld’s trademark comedy description – “nothing” – to describe the ad.
“Huh?” wrote Abbey Klaassen for Ad Age. “You could be forgiven for not knowing what the heck Microsoft’s new TV ad … was about.”
Dan Frommer, writing for the Silicon Alley Insider, pronounced the ad “not funny” and added that the mall shoe store setting “is not going to help Microsoft look any cooler.”
For the blog Techcrunch.com, Michael Arrington noted that the “tech and geek crowd is a little underwhelmed” by the ad, which he said is “a far cry from the brilliant Microsoft v. Mac ads.”
Brad Brooks, vice president of Windows consumer product marketing, said in a video posted on the Windows press Web site, that the ad is a “teaser” meant to “engage customers in a conversation … to get the conversation going again about what Windows means in people’s everyday lives.”
Even if the reaction was mostly negative, Microsoft’s ad has clearly succeeded in getting people talking.
Review: Writer-Director Andrea Arnold’s “Bird”
"Is it too real for ya?" blares in the background of Andrea Arnold's latest film, "Bird," a 12-year-old Bailey (Nykiya Adams) rides with her shirtless, tattoo-covered dad, Bug (Barry Keoghan), on his electric scooter past scenes of poverty in working-class Kent.
The song's question — courtesy of the Irish post-punk band Fontains D.C. — is an acute one for "Bird." Arnold's films ( "American Honey," "Fish Tank") are rigorous in their gritty naturalism. Her fiction films — this is her first in eight years — tend toward bleak, hand-held verité in rough-and-tumble real-world locations. Her last film, "Cow," documented a mother cow separated from her calf on a dairy farm.
Arnold specializes in capturing souls, human and otherwise, in soulless environments. A dream of something more is tantalizing just out of reach. In "American Honey," peace comes to Star (Sasha Lane) only when she submerges underwater.
In "Bird," though, this sense of otherworldly possibility is made flesh, or at least feathery. After a confusing night, Bailey awakens in a field where she encounters a strange figure in a skirt ( Franz Rogowski ) who arrives, like Mary Poppins, with a gust a wind. His name, he says, is Bird. He has a soft sweetness that doesn't otherwise exist in Bailey's hardscrabble and chaotic life.
She's skeptical of him at first, but he keeps lurking about, hovering gull-like on rooftops. He cranes his neck now and again like he's watching out for Bailey. And he does watch out for her, helping Bailey through a hard coming of age: the abusive boyfriend (James Nelson-Joyce) of her mother (Jasmine Jobson); her half brother (Jason Buda) slipping into vigilante violence; her father marrying a new girlfriend.
The introduction of surrealism has... Read More