By Bob Thomas
LOS ANGELES (AP) --The Army, with a hand from Hollywood, has received a long-lost Oscar back into its ranks.
The little statue took a long, and largely unknown path before being passed from Academy of Motion Picture Arts and Sciences President Sid Ganis to an Army general during a Wednesday night ceremony and screening.
In 1942, a few weeks after Pearl Harbor, filmmaker Frank Capra joined the Army and was assigned to create a film series, “Why We Fight.”
Major Capra, who had directed such films as “It Happened One Night,” ”Lost Horizon” and “Mr. Smith Goes to Washington” was told to create the documentary “Prelude to War.”
He showed the finished work to Army Chief of Staff Gen. George C. Marshall, who insisted that President Roosevelt see the film.
In his 1971 autobiography, “The Name Above the Title,” Capra wrote of a screening at the White House. Amid the applause at the end, FDR exclaimed: “Every man, woman and child in the w orld should see this film!”
“Prelude to War” was at first seen solely by soldiers in Army quarters, but the Army eventually relented and 250 prints were sent to theaters across the country.
The Academy staged a screening of “Prelude to War” on Wednesday night at the Pickford Center for Motion Picture Study in Hollywood.
“Sixty-five years later, ‘Prelude to War’ still continues to be one of the greatest documentaries ever made,” said Ganis, the emcee for the screening.
In 1942, “Prelude to War” won an Oscar for Best Documentary by the U.S. Army Special Services but, Ganis explained, the prize wasn’t an Oscar but a plaque. All of the awards were in plaster, not metal, during the war because of the metal shortage.
After the war the Army received an actual Oscar statue and it was stored in the Army Pictorial Center. When the center closed in 1970, the Oscar disappeared.
Capra, who died in 1991, made other documentaries for the military during the war, including “The Nazis Strike,” ”The Battle of Britain,” ”The Negro Soldier” and “Divide and Conquer.”
Earlier this year, Christie’s auction house advertised an Oscar for sale. It was the missing “Prelude to War” award.
The Academy notified the army, which claimed the prize.
On Wednesday night, Ganis presented a polished, 8-pound Oscar to Brig. Gen. Jeffrey E. Phillips, deputy chief of public affairs for the army.
Review: Writer-Director Andrea Arnold’s “Bird”
"Is it too real for ya?" blares in the background of Andrea Arnold's latest film, "Bird," a 12-year-old Bailey (Nykiya Adams) rides with her shirtless, tattoo-covered dad, Bug (Barry Keoghan), on his electric scooter past scenes of poverty in working-class Kent.
The song's question — courtesy of the Irish post-punk band Fontains D.C. — is an acute one for "Bird." Arnold's films ( "American Honey," "Fish Tank") are rigorous in their gritty naturalism. Her fiction films — this is her first in eight years — tend toward bleak, hand-held verité in rough-and-tumble real-world locations. Her last film, "Cow," documented a mother cow separated from her calf on a dairy farm.
Arnold specializes in capturing souls, human and otherwise, in soulless environments. A dream of something more is tantalizing just out of reach. In "American Honey," peace comes to Star (Sasha Lane) only when she submerges underwater.
In "Bird," though, this sense of otherworldly possibility is made flesh, or at least feathery. After a confusing night, Bailey awakens in a field where she encounters a strange figure in a skirt ( Franz Rogowski ) who arrives, like Mary Poppins, with a gust a wind. His name, he says, is Bird. He has a soft sweetness that doesn't otherwise exist in Bailey's hardscrabble and chaotic life.
She's skeptical of him at first, but he keeps lurking about, hovering gull-like on rooftops. He cranes his neck now and again like he's watching out for Bailey. And he does watch out for her, helping Bailey through a hard coming of age: the abusive boyfriend (James Nelson-Joyce) of her mother (Jasmine Jobson); her half brother (Jason Buda) slipping into vigilante violence; her father marrying a new girlfriend.
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