About half of the people who are using mobile phones to pull down video or information about the Olympics have been trying out that technology for the first time, NBC said on Wednesday.
NBC Universal, a unit of General Electric Co., has been using the Olympics as something of a research lab to track the adoption of new media technology. Since the opening ceremony last Friday, the company has made content available online, through video on demand and via cell phones along with traditional TV.
The number of people requesting Olympic content over their phones is still relatively small – 494,506 on Sunday and 476,062 on Monday – but NBC executives say they’re stunned at how many of those never used the phones for this purpose before.
“To some extent, the Olympics are beginning to influence how people use new technology,” said Alan Wurtzel, research president for NBC Universal.
By far, however, television is still the prefer red format. Of the estimated 107 million people to experience at least a few minutes of the Olympics on Sunday, 95 percent watched it on TV, NBC said.
Given the choice between a high-definition TV placed before a couch or a small, grainy picture on a computer screen, it’s still a pretty obvious call, Wurtzel said.
NBC’s prime-time ratings are running well ahead of the Athens games in 2004. Through five days, the average prime-time viewership for NBC is 31.3 million, the network said. Interest in Athens started slowly but heated up with gymnastics, while the Beijing games have been a draw from the start.
It has become a communal event that the country has enjoyed sharing, Wurtzel said, a rarity in the day of media fractionalization.
“I don’t think you’re going to see too much of this in the future,” he said.
Americans downloaded some 1.7 million video streams of Monday’s stunning swimming relay where the American team came from behind to beat Fra nce and keep Michael Phelps’ gold medal streak alive. An estimated 1.5 million video streams were e-mailed from one person to another, Wurtzel said.
NBC Universal worried in past Olympics years that its decision to air much of the events on cable outlets like CNBC, MSNBC and USA would siphon interest from prime-time, which is still where the network earns the bulk of its advertising revenue.
But the opposite proved to be true and, this year, the same thing has happened with the digital content, said Gary Zenkel, president of NBC Olympics.
Does “Hundreds of Beavers” Reflect A New Path Forward In Cinema?
Hard as it may be to believe, changing the future of cinema was not on Mike Cheslik's mind when he was making "Hundreds of Beavers." Cheslik was in the Northwoods of Wisconsin with a crew of four, sometimes six, standing in snow and making his friend, Ryland Tews, fall down funny.
"When we were shooting, I kept thinking: It would be so stupid if this got mythologized," says Cheslik.
And yet, "Hundreds of Beavers" has accrued the stuff of, if not quite myth, then certainly lo-fi legend. Cheslik's film, made for just $150,000 and self-distributed in theaters, has managed to gnaw its way into a movie culture largely dominated by big-budget sequels.
"Hundreds of Beavers" is a wordless black-and-white bonanza of slapstick antics about a stranded 19th century applejack salesman (Tews) at war with a bevy of beavers, all of whom are played by actors in mascot costumes.
No one would call "Hundreds of Beavers" expensive looking, but it's far more inventive than much of what Hollywood produces. With some 1,500 effects shots Cheslik slaved over on his home computer, he crafted something like the human version of Donald Duck's snowball fight, and a low-budget heir to the waning tradition of Buster Keaton and "Naked Gun."
At a time when independent filmmaking is more challenged than ever, "Hundreds of Beavers" has, maybe, suggested a new path forward, albeit a particularly beaver-festooned path.
After no major distributor stepped forward, the filmmakers opted to launch the movie themselves, beginning with carnivalesque roadshow screenings. Since opening in January, "Hundreds of Beavers" has played in at least one theater every week of the year, though never more than 33 at once. (Blockbusters typically play in around 4,000 locations.)... Read More