By Jonathan Landrum Jr., Entertainment Writer
LOS ANGELES (AP) --Jon Batiste is still putting in some Grammy work: The multi-talented performer will kick off a series geared toward public and educational programs in New York City next month.
The Grammy Museum announced Thursday that Batiste will perform during a series titled "A New York Evening with Jon Batiste." He'll hit the stage on June 17 at the New York Public Library for the Performing Arts at Lincoln Center.
Batiste will be the first performer as part of the museum's six-part series. His performance comes after he collected five trophies including album of the year for "We Are" at the Grammy Awards in April.
The museum will partner with the New York mayor's office to bring educational programming with two summer sessions. It'll be free five-day songwriting workshops for students currently enrolled in high school.
New York City Mayor Eric Adams said he's thrilled about the partnership.
"These efforts align perfectly, not only with our vision to support future musicians who might one day contribute to New York City's creative economy," he said in a statement.
The programs will run through the end of this year at various venues in the city. The other five programs and performers will be announced at a later date.
Forty slots will be available for students during the summer sessions, which will be held the weeks of July 11 and July 18. Each week-long session will take place at CUNY Graduate Center and free of charge to students.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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