By Andrew Dalton
"The Little Mermaid" made moviegoers want to be under the sea on Memorial Day weekend.
Disney's live-action remake of its 1989 animated classic easily outswam the competition, bringing in $95.5 million on 4,320 screens in North America, according to studio estimates Sunday.
And Disney estimates the film starring Halle Bailey as the titular mermaid Ariel and Melissa McCarthy as her sea witch nemesis Ursula will reach $117.5 million by the time the holiday is over. It ranks as the fifth biggest Memorial Day weekend opening ever.
It displaces "Fast X" in the top spot. The 10th installment in the "Fast and Furious" franchise starring Vin Diesel has lagged behind more recent releases in the series, bringing in $23 million domestically for a two-week total of $108 million for Universal Pictures.
In its fourth weekend, Disney and Marvel's " Guardians of the Galaxy Vol. 3 " made an estimated $20 million in North America to take third place. It's now made $299 million domestically.
Fourth went to Universal's "The Super Mario Bros. Movie," which keeps reaching new levels in its eighth weekend. Now available to rent on VOD, it still earned $6.3 million in theatres. Its cumulative total of $559 million makes Mario and Luigi the year's biggest earners so far.
Comics couldn't stand up to Ariel as the week's other new releases sank.
"The Machine," an action comedy starring stand—up comedian Bert Kreischer, finished fifth with $4.9 million domestically. And " About My Father," the broad comedy starring stand-up Sebastian Maniscalco and Robert De Niro, was sixth with $4.3 million.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
1. "The Little Mermaid," $95.5 million.
2. "Fast X," $23 million.
3. "Guardians of the Galaxy Vol. 3," $20 million.
4. "The Super Mario Bros. Movie," $6.3 million.
5. "The Machine," $4.9 million.
6. "About My Father," $4.3 million.
7. "Kandahar," $2.4 million.
8. "You Hurt My Feelings," 1.4 million.
9. "Evil Dead Rise," $1 million.
10. "Book Club, The Next Chapter," $920, 000.
Andrew Dalton is an AP entertainment writer
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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