The Television Academy has unveiled the recipients of its 16th Television Academy Honors, recognizing six remarkable television programs and their producers who have harnessed the extraordinary power of storytelling to fuel social change.
The honorees consist of two documentary specials, one documentary/nonfiction series, two scripted series and one reality series, representing some of the most significant and impactful television of 2022. They are 37 Words, As We See It, Mo, The Rebellious Life of Mrs. Rosa Parks, The U.S. and the Holocaust and We’re Here.
Each year, Television Academy Honors celebrates programs across numerous platforms and genres that raise awareness about complex issues facing society. This year’s honorees produced compelling programs–in both fictional and nonfictional works–that address neurodiversity; civil rights; LGBTQ+ rights; equal rights for women; the experience of immigrants and refugees; and racism, xenophobia and antisemitism.
“These exceptional programs and producers have used television to adeptly address some of the most significant and challenging issues facing communities across the globe,” said Television Academy chairman and CEO Frank Scherma. “Our medium is incredibly powerful, and these six programs have leveraged it to inspire transformational change.”
Bryan Leder, Governor for the Professional Representatives Peer Group, chaired this year’s Television Academy Honors selection committee with Kim Taylor-Coleman, C.S.A., Governor for the Casting Director Peer Group, serving as vice chair.
“It was a robust year of outstanding and thought-provoking submissions that represent the histories and voices of storytellers. This year’s Honors recipients reflect an intersectionality of topics with unique perspectives that are accessible to all,” said Leder.
“The committee applauds all the hard work that writers, actors, directors, producers and their teams expended in pursuit of creating meaningful and impactful content,” added Taylor-Coleman. “While narrowing down the field was difficult, this year’s winners were especially distinguished and deserved to be singled out.”
The Honors recipients will be celebrated during a recognition ceremony slated for May 31.
In addition to this year’s honorees, the Honors selection committee is giving special recognition to the documentary series Profiled: The Black Man (Discovery+) produced by A. Smith & Co. Productions. The program will receive a certificate acknowledging its thought-provoking social justice content.
Recipients of the 16th Television Academy Honors are:
37 Words (ESPN Films, Industrial Media and Trilogy Films)
The full story of Title IX—the hard-fought battle to push for equal rights in education and athletics, the decades-spanning effort to nullify its impact, and the rippling impacts of the landmark civil rights law that continue to resonate today. This four-part documentary charts the spectacular transformation that 37 words have inspired in American culture and the lives of women as well as the many ways in which the spirit of this bold law has yet to be fully realized. (ESPN)
As We See It (True Jack Productions; Yes Studios; Universal Television; Amazon Studios)
This empathetic comedy series follows 20-something roommates with Autism as they strive to get a job, keep a job, make friends, fall in love and navigate a world that eludes them. With the help of their families, aides and sometimes each other, these roommates experience setbacks and celebrate triumphs on their own unique journeys toward independence and acceptance. (Prime Video)
Mo (A24)
The heartfelt comedy that follows Palestinian refugee Mo Najjar as he straddles the line between two cultures and three languages while constantly living one step away from asylum on the path to U.S. citizenship. Mo brilliantly captures the experience of immigrants and refugees navigating institutional systems. (Netflix)
The Rebellious Life of Mrs. Rosa Parks (A Peacock Original, SO’B Productions)
This comprehensive feature delves deep into the life of civil rights icon Rosa Parks, her historic work and her role in the Montgomery Bus Boycott. Through interviews with those who knew her, powerful archival footage and her own words, this documentary tells the story of Parks’ extensive organizing, radical politics and lifelong dedication to activism. (Peacock)
The U.S. and the Holocaust (Florentine Films and WETA, Washington, D.C.)
Inspired in part by the United States Holocaust Memorial Museum’s “Americans and the Holocaust” exhibition and supported by its historical resources, this documentary examines the rise of Hitler and Nazism in Germany in the context of global antisemitism and racism, the eugenics movement in the United States and race laws in the American South. (PBS)
We’re Here (HBO Max)
This Emmy Award-winning series follows renowned drag queens Bob the Drag Queen, Eureka O’Hara and Shangela on a journey to find deeper truths in small-town America, spreading love and connection through the art of drag. The queens recruit a diverse group of local residents to share their stories, increase awareness and promote acceptance in their communities by participating in one-night-only drag shows, at times facing increased opposition and anti-LGBTQ+ legislation laws. (HBO Max)
Google Opens Its Defense In Antitrust Case Alleging Monopoly Over Online Ad Technology
Google opened its defense against allegations that it holds an illegal monopoly on online advertising technology Friday with witness testimony saying the industry is vastly more complex and competitive than portrayed by the federal government.
"The industry has been exceptionally fluid over the last 18 years," said Scott Sheffer, a vice president for global partnerships at Google, the company's first witness at its antitrust trial in federal court in Alexandria.
The Justice Department and a coalition of states contend that Google built and maintained an illegal monopoly over the technology that facilitates the buying and selling of online ads seen by consumers.
Google counters that the government's case improperly focuses on a narrow type of online ads — essentially the rectangular ones that appear on the top and on the right-hand side of a webpage. In its opening statement, Google's lawyers said the Supreme Court has warned judges against taking action when dealing with rapidly emerging technology like what Sheffer described because of the risk of error or unintended consequences.
Google says defining the market so narrowly ignores the competition it faces from social media companies, Amazon, streaming TV providers and others who offer advertisers the means to reach online consumers.
Justice Department lawyers called witnesses to testify for two weeks before resting their case Friday afternoon, detailing the ways that automated ad exchanges conduct auctions in a matter of milliseconds to determine which ads are placed in front of which consumers and how much they cost.
The department contends the auctions are finessed in subtle ways that benefit Google to the exclusion of would-be competitors and in ways that prevent... Read More