Asad Ayaz has been appointed the first-ever chief brand pfficer of The Walt Disney Company (NYSE: DIS). In this newly created role reporting to CEO Robert A. Iger, Ayaz will be responsible for stewarding and elevating the Disney brand globally across the entire ecosystem of company touchpoints and consumer experiences. Ayaz will also continue as president of marketing for The Walt Disney Studios, overseeing all aspects of marketing and publicity for the Studios’ films and series as well as for Disney+ globally, reporting to Disney Entertainment co-chairman Alan Bergman.
“Asad is an exceptional creative leader with a deep understanding of what Disney means to millions of people around the world,” Iger said. “His taking on this role is particularly noteworthy and consequential as we commemorate our historic 100th anniversary, and I am confident that his strategic, operational, and creative prowess, along with his profound passion for Disney, will make him an outstanding steward of our stories, characters, brands, and franchises.”
As chief brand officer, Ayaz will develop and execute holistic brand marketing campaigns leveraging and synthesizing the company’s full suite of content and consumer experiences, activate the brand internally and externally through partnerships, and provide guidance and alignment for the company’s digital and social media strategy and presence. He will set corporate synergy and franchise priorities in consultation with the CEO and lead a global consumer research and analytics function focused on Disney’s brands and franchises that will inform actionable cross-platform initiatives.
“Throughout both my early life and my time at the company, I’ve marveled at the power of Disney’s storytelling, experiences, and simply the name itself to inspire people and resonate through generations,” said Ayaz. “I am immensely grateful to Bob for entrusting me with this opportunity, and I’m excited to work with the amazing teams around our company to highlight all the things that make Disney exceptional and ensure that we continue to create those meaningful connections with audiences for many more generations to come.”
Among other cross-company brand initiatives, Ayaz will oversee the Disney100 campaign as the company celebrates its 100th year. He recently led the development and creation of the Disney100 Special Look spot that debuted in this year’s Super Bowl, as well as the Studios’ new 100-year logo refresh now appearing on all Disney-branded films.
As president of marketing for The Walt Disney Studios, a role he has held since 2018, Ayaz will continue to oversee all aspects of marketing for films and series from Disney, Walt Disney Animation Studios, Pixar Animation Studios, Marvel Studios, Lucasfilm, and 20th Century Studios, including strategy, creative advertising, media, digital, research, special events, promotions, international marketing, publicity, and synergy. He was also recently named to lead marketing for Disney+ globally.
An 18-year Disney veteran, Ayaz has developed and led marketing campaigns for some of the most successful film releases in history, including Lucasfilm’s “Star Wars: The Force Awakens,” Marvel Studios’ “Black Panther” and the global phenomenon “Avatar: The Way of Water.” Additional campaigns Ayaz has spearheaded include Disney’s live-action hits “Aladdin” and “The Lion King”; Walt Disney Animation’s “Frozen 2” and “Encanto”; Pixar’s “Toy Story 4” and “Turning Red”; 20th Century Studios’ “Free Guy” and “Prey”; along with Disney+ hit series including “The Mandalorian,” “WandaVision,” “Obi-Wan Kenobi” and “Loki.” In all, Ayaz has led the campaigns for the most watched films on Disney+ and Hulu, and 13 of the top 15 box office debuts of all time, including six opening weekends over $200 million, as well as the biggest worldwide debut of all time for “Avengers: Endgame,” which earned over $1.2 billion in five days.
An award-winning marketing leader, Ayaz has been the recipient of multiple industry honors, including the Clio Marketing Mastermind Award.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More