Production studio Lord Danger has signed three directors–Amr Singh and director-photography duo Marlyne and Patrick Curtet (MP Curtet)–for U.S. representation spanning commercials and branded content.
This marks Singh’s first production company roost in the U.S. market. M&P Curtet have been focused primarily on their stills work and hadn’t been previously repped for motion.
Singh and MP Curtet join a Lord Danger directorial roster which includes Mike Diva, Lawrence Lamont, Parker Seaman, and Steven Taylor.
Originally from South Africa, Singh has worked with leading creative agencies and brands globally. His experience also extends to Hollywood, directing A-listers including Kevin Hart. Singh’s work has garnered critical acclaim as well as a Van Gough Award at the Amsterdam International Film Festival, and a Gold Craft for Directing from the Promax Awards.
“Amr has an affinity for making things that move people, audiences, and culture. His ability to master craft across genres like travel, and product, makes him a perfect addition to the team,” said Josh Shadid, Lord Danger’s executive producer and founder. “We’re excited to introduce Amr to the US market and show off what the rest of the world already has come to know.”
Marlyne and Patrick Curtet, a Los Angeles-based French couple, have combined their talents to bring an innovative approach to multidisciplinary campaigns across automotive, luxury, and fashion. Their body of work encompasses campaigns in more than 70 countries including China, Tanzania, Croatia, Peru and Mongolia. MP Curtet’s latest work has been for Cadillac, Nissan, Genesis, Jeep and Volkswagen, among others. As experts in blending craft, design, and technology with luxury brands, MP Curtet will help usher Lord Danger into new territory.
“Marlyne and Patrick are aficionados of the modern creative toolkit, constantly retooling their approach to continually integrate new creative technologies into their arsenal,” said Shadid. “They’ve mastered the art of capturing striking photographic composition and finish into movement, and we’re looking forward to showing the world all that they’re capable of as part of the Lord Danger directorial team.”
Juliette Welfling Takes On A Musical, A Crime Thriller, Comedy and Drama In “Emelia Pérez”
Editor Juliette Welfling has a track record of close-knit, heartfelt collaboration with writer-director Jacques Audiard, a four-time BAFTA Award nominee for Best Film not in the English Language--starting with The Beat That My Heart Skipped in 2006, then A Prophet in 2010, Rust and Bone in 2013, and Dheepan in 2017. He won for The Beat That My Heart Skipped and A Prophet.
Welfling cut three of those features: A Prophet, Rust and Bone, and Dheepan. And that shared filmography has since grown to most recently include Emelia Pérez, the Oscar buzz-worthy film from Netflix. Welfling herself is not stranger to Academy Award banter. In fact, she earned a Best Achievement in Film Editing Oscar nomination in 2008 for director Julian Schnabel’s The Diving Bell and the Butterfly.
Emelia Pérez is a hybrid musical/drama/thriller which introduces us to a talented but undervalued lawyer named Rita (portrayed by Zoe Saldana) who receives a lucrative offer out of the blue from a feared drug cartel boss who’s looking to retire from his sordid business and disappear forever by becoming the woman he’s always dreamt of being (Karla SofÃa Gascón in a dual role as Manitas Del Monte/Emilia Pérez). Rita helps pull this off, orchestrating the faked death of Del Monte who leaves behind a widow (Jessi, played by Selena Gomez) and kids. While living comfortably and contently in her/their new identity, Pérez misses the children. Pérez once again enlists Rita--this time to return to family life, reuniting with the kids by pretending to be their aunt, the sister of Del Monte. Now as an aunt, Pérez winds up adopting a more altruistic bent professionally,... Read More