By Morgan Lee
SANTA FE, NM (AP) --A special prosecutor who doubles as a state legislator is stepping down from her role in the manslaughter case against actor Alec Baldwin in the death of a cinematographer on a New Mexico film set.
Baldwin's legal team in February sought to disqualify special prosecutor and Republican state Rep. Andrea Reeb of Clovis based on constitutional provisions that safeguard the separation of powers between distinct branches of government.
Reeb said in a statement Tuesday that she "will not allow questions about my serving as a legislator and prosecutor to cloud the real issue at hand."
"It has become clear that the best way I can ensure justice is served in this case is to step down so that the prosecution can focus on the evidence and the facts," Reeb said.
District Attorney Mary Carmack-Altwies filed a notification in state district court and declined further comment.
Baldwin and weapons supervisor Hannah Gutierrez-Reed have pleaded not guilty to charges of involuntary manslaughter in the shooting death of cinematographer Halyna Hutchins. The charges carry a maximum penalty of 18 months in prison and fines.
Hutchins died shortly after being wounded Oct. 21, 2021, during rehearsals for the Western film "Rust" at a ranch on the outskirts of Santa Fe. Baldwin was pointing a pistol at Hutchins when the gun went off, killing her and wounding the director, Joel Souza.
A preliminary hearing is scheduled in May to decide whether the evidence is sufficient to proceed to a trial.
Prosecutors say assistant director David Halls, who oversaw safety on set, has signed an agreement to plead guilty in the negligent use of a deadly weapon.
In her role as legislator, Reeb has sponsored several criminal justice initiatives, including enhanced punishments for firearms violations.
The Republican from Clovis steered clear of voting on public spending to prosecute Baldwin and Gutierrez-Reed.
She was excused from a House floor vote in February on a proposed state budget that includes $360,000 for special prosecution expenses in the fatal film-set shooting.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
The one rule to follow is that... Read More