By Jake Coyle, Film Writer
NEW YORK (AP) --James Cameron's "Avatar: The Way of Water" led ticket sales in movie theaters for the sixth straight weekend, making it the first film to have such a sustained reign atop the box office since 2009's "Avatar."
The Walt Disney Co.'s "The Way of Water" added $19.7 million in U.S. and Canadian theaters over the weekend, according to studio estimates Sunday. Its global total has now surpassed $2 billion, putting it sixth all-time and just ahead of "Spider-Man: No Way Home." Domestically, "The Way of Water" is up to $598 million. Continued robust international sales ($56.3 million for the weekend) has helped push the "Avatar" sequel to $2.024 billion worldwide.
A year ago, "Spider-Man: No Way Home" also topped the box office for six weekends, but did it over the course of seven weeks. You have to go back to Cameron's original "Avatar" to find a movie that stayed No. 1 for such a long span. ("Avatar" ultimately topped out at seven weeks.) Before that, the only film in the past 25 years to manage the feat was another Cameron film; "Titanic" (1997) went undefeated for 15 weeks.
"The Way of Water" has now reached a target that Cameron himself set for the very expensive sequel. Ahead of its release, Cameron said becoming "the third or fourth highest-grossing film in history" was "your break even."
The box-office domination for "The Way of Water" has been aided, in part, by a dearth of formidable challengers. The only new wide release from a major studio on the weekend was the thriller "Missing," from Sony's Screen Gems and Stage 6 Films. A low-budget sequel to 2018's "Searching," starring Storm Reid as a teenager seeking her missing mother, "Missing" plays out across computer screens. The film, budgeted at $7 million, debuted with $9.3 million.
January is typically a slow period in theaters, but a handful of strong-performing holdovers have helped prop up sales.
Though it didn't open hugely in December, Universal Pictures' "Puss in Boots: The Last Wish" has had long legs as one of the only family options in theaters over the last month. In its fifth week, it came in second place with $11.5 million domestically and $17.8 million overseas. The "Puss in Boots" sequel has grossed $297.5 million globally.
The creepy doll horror hit "M3gan," also from Universal, has likewise continued to pull in moviegoers. It notched $9.8 million in its third week, bringing its domestic haul to $73.3 million.
And while the popularity of horror titles in theaters is nothing new, Sony Pictures' "A Man Called Otto," starring Tom Hanks, has flourished in a marketplace that's been trying for adult-oriented dramas. The film, a remake of the Swedish film "A Man Called Ove," about a retired man whose suicide plans are continually foiled by his neighbors, made $9 million in its second week of wide release. It's taken in $35.3 million domestically through Sunday.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
1. "Avatar: The Way of Water," $19.7 million.
2. "Puss in Boots: The Last Wish," $11.5 million.
3. "M3gan," $9.8 million
4. "Missing," $9.3 million.
5. "A Man Called Otto," $9 million.
6. "Plane," $5.3 million.
7. "House Party," $1.8 million.
8. "That Time I Got Reincarnated as a Slime The Movie," $1.5 million.
9. "Black Panther: Wakanda Forever," $1.4 million.
10. "The Whale," $1.3 million.
Review: Writer-Directors Scott Beck and Bryan Wood’s “Heretic”
"Heretic" opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are labeled as large even though they're all pretty much a standard size. "What else do we believe because of marketing?" one asks the other.
That line will echo through the movie, a stimulating discussion of religion that emerges from a horror movie wrapper. Despite a second-half slide and feeling unbalanced, this is the rare movie that combines lots of squirting blood and elevated discussion of the ancient Egyptian god Horus.
Our two church members — played fiercely by Sophie Thatcher and Chloe East — are wandering around trying to covert souls when they knock on the door of a sweet-looking cottage. Its owner, Mr. Reed, offers a hearty "Good afternoon!" He welcomes them in, brings them drinks and promises a blueberry pie. He's also interested in learning more about the church. So far, so good.
Mr. Reed is, of course, if you've seen the poster, the baddie and he's played by Hugh Grant, who doesn't go the snarling, dead-eyed Hannibal Lecter route in "Heretic." Grant is the slightly bumbling, bashful and self-mocking character we fell in love with in "Four Weddings and a Funeral," but with a smear of menace. He gradually reveals that he actually knows quite a bit about the Mormon religion — and all religions.
"It's good to be religious," he says jauntily and promises his wife will join them soon, a requirement for the church. Homey touches in his home include a framed "Bless This Mess" needlepoint on a wall, but there are also oddities, like his lights are on a timer and there's metal in the walls and ceilings.
Writer-directors Scott Beck and Bryan Wood — who also... Read More