Set to keynote the upcoming Film Independent Forum, which this year returns in a hybrid format beginning on Monday, Oct. 24, at the Directors Guild of America (DGA) Theatre, are the writer/director duo Daniel Kwan and Daniel Scheinert, aka Daniels (Everything Everywhere All at Once, Swiss Army Man) and a screening of A24’s The Inspection followed by a Q&A with director Elegance Bratton, Gamechanger’s CEO/producer Effie T. Brown and producer Chester Algernal Gordon. The conference will continue with virtual sessions and panels for global audiences October 25-27.
“We are thrilled to spotlight The Inspection at the Forum. Elegance Bratton’s vision conjures all that Film Independent celebrates: deeply personal, bold and provocative filmmaking,” said Maria Raquel Bozzi, sr. director of education and international initiatives, “This is a full circle moment for us, as the film was supported through our Artist Development programs, and Elegance and the producing team of veteran producer Effie T. Brown and rising talent Chester Algernal Gordon are all Film Independent Fellows, as alums of our Artist Development programs.”
Rachel Bleemer, director of events and programming for Film Independent, said of Daniels, “Much like their ingenious approach to filmmaking, audiences will be in for a keynote experience like no other.” (The Daniels are repped in the commercialmaking/branded content arena by PRETTYBIRD.)
Designed to inspire and empower filmmakers with tools and connections they need to get their projects made and seen, the Forum offers a program comprised of screenings, panels, workshops, one-on-one meetings, a welcome reception and networking opportunities. Conversations and panels at this year’s Forum will delve into the best practices for financing, production and distribution of films and digital content across different platforms, exploring the diverse channels storytellers have today to create and connect with audiences. The mixed format will allow attendees in the L.A. area to reconnect and celebrate in person, while providing easy remote access to serve a global community of filmmakers and film enthusiasts. The Film Independent Forum is sponsored by the Directors Guild of America, SAGindie and Mississippi Film Office.
The kickoff event at the DGA will also feature a welcome happy hour reception, Social Impact Campaign Master Class with Brian Walker of Picture Motion, and Industry Connect meetings throughout the day. Additional speakers for the virtual sessions include Pachinko creator Soo Hugh, Shari Page (Half Initiative), Sarah Calderón (The Film Agency), Diego Najera (Participant), Paula Manzanedo (Film Finances), and filmmakers Miranda Bailey (God’s Country), Elizabeth Lo and Shane Boris (Stray), KD Davila, Carey Williams and John Fischer (Emergency), Linda Yvette Chavez (Gentefied), Billy Luther (Frybread Face and Me), Angel Kristi Williams (Really Love), Aitch Alberto and Valerie Stadler (Aristotle and Dante Discover the Secrets of the Universe)—many of whom have participated in Film Independent Artist Development programs—with additional panelists to be announced.
The virtual sessions available via the Forum’s platform will include feature film, documentary and episodic case studies, a financing and pitching clinic, producers roundtable, sessions devoted to exploring the global marketplace for independent film, social impact, inclusion and sustainability issues, as well as building a career path in the current landscape, with a panel of esteemed Film Independent Fellows, as Film Independent prepares to celebrate the 30th anniversary of Artist Development programs next year.
CONFIRMED FORUM SPEAKERS
Aitch Alberto, Director, Aristotle and Dante Discover the Secrets of the Universe
Miranda Bailey, Producer, God’s Country
Shane Boris, Producer, Stray
Elegance Bratton, Writer/Director, The Inspection
Effie T. Brown, Producer, The Inspection
Miguel Angel Caballero, Writer/Director, Angel in Retrograde
Sarah Calderón, Founder/CEO, The Film Agency
Linda Yvette Chavez, Creator, Gentefied
KD Davila, Writer, Emergency
Stephanie Dawson, Producer
John Fisher, Producer, Emergency
Chester Algernal Gordon, Producer, The Inspection
Soo Hugh, Creator, Pachinko
Ornella Jaramillo, Producer, Angel in Retrograde
Daniel Kwan, Writer/Director, Everything Everywhere All at Once
Elizabeth Lo, Director, Stray
Billy Luther, Writer/Director, Frybread Face and Me
Paula Manzanedo, Film Finances
Joseph Marconi, Writer/Director, Wild Animal
Jhane Myers, Producer, Prey
Diego Najera, Director of Narrative Films, Participant
Shari Page, Program Director, Half Initiative
Myriam Sassine, Producer Costa Brava
Lizzie Shapiro, Producer, Shiva Baby
Daniel Scheinert, Writer/Director, Everything Everywhere All at Once
Valerie Stadler, Producer, Aristotle and Dante Discover the Secrets of the Universe
Lysette Urus, Producer, Wild Animal
Brian Walker, CEO, Picture Motion
Angel Kristi Williams, Director, Really Love
Carey Williams, Director, Emergency
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
The one rule to follow is that... Read More