Director Mary Harron’s Dalíland will have its world premiere at the Closing Night Gala for the 47th Toronto International Film Festival on Saturday, September 17, at Roy Thomson Hall.
Dalíland tells the story of the later years of the strange and fascinating marriage between the genius Salvador Dalí and his wife, Gala, as their seemingly unshakable bond begins to stress and fracture. Set in New York and Spain in 1973, the story is told through the eyes of James, a young assistant keen to make his name in the art world, who helps the eccentric and mercurial Dalí prepare for a big gallery show.
Cameron Bailey, CEO, TIFF, said of the closing night film, “We couldn’t be prouder that Harron is a Canadian who has taken her singular explorations of iconic eccentrics to the world stage. In portraying the wild relationship between Salvador Dalí and his partner, Gala, Harron continues to keep moviegoing fresh.”
Dalíland stars Sir Ben Kingsley, Barbara Sukowa, Christopher Briney, Rupert Graves, Alexander Beyer, Andreja Pejic, Mark McKenna, Zachary Nachbar-Seckel, Avital Lvova, and Suki Waterhouse. Directed by Harron with a screenplay written by John C. Walsh. Produced by Edward R. Pressman of Pressman Film, David Sacks of David O. Sacks Productions, Daniel Brunt, Chris Curling of Zephyr Films, and Sam Pressman.
Review: Writer-Directors Scott Beck and Bryan Wood’s “Heretic”
"Heretic" opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are labeled as large even though they're all pretty much a standard size. "What else do we believe because of marketing?" one asks the other.
That line will echo through the movie, a stimulating discussion of religion that emerges from a horror movie wrapper. Despite a second-half slide and feeling unbalanced, this is the rare movie that combines lots of squirting blood and elevated discussion of the ancient Egyptian god Horus.
Our two church members — played fiercely by Sophie Thatcher and Chloe East — are wandering around trying to covert souls when they knock on the door of a sweet-looking cottage. Its owner, Mr. Reed, offers a hearty "Good afternoon!" He welcomes them in, brings them drinks and promises a blueberry pie. He's also interested in learning more about the church. So far, so good.
Mr. Reed is, of course, if you've seen the poster, the baddie and he's played by Hugh Grant, who doesn't go the snarling, dead-eyed Hannibal Lecter route in "Heretic." Grant is the slightly bumbling, bashful and self-mocking character we fell in love with in "Four Weddings and a Funeral," but with a smear of menace. He gradually reveals that he actually knows quite a bit about the Mormon religion — and all religions.
"It's good to be religious," he says jauntily and promises his wife will join them soon, a requirement for the church. Homey touches in his home include a framed "Bless This Mess" needlepoint on a wall, but there are also oddities, like his lights are on a timer and there's metal in the walls and ceilings.
Writer-directors Scott Beck and Bryan Wood — who also... Read More