By Lindsey Bahr
Dwayne Johnson went a few steps beyond merely teasing his long-awaited "Black Adam" movie at Comic-Con in San Diego on Saturday.
Ever the showman, Johnson brought a new traile r for the DC Comics superhero film and some flashy technology, lighting up the biggest room at the annual fan convention all while in costume. But he had another big reveal too: Johnson told the 6,000-some people in the audience that they could see "Black Adam" in IMAX for free with the help of the ticketing service Fandango.
The character Black Adam has the powers of the ancient gods and has been entombed for some 5,000 years before being released into the modern world. In the trailer he says his powers are "a curse, not a gift."
Set for an Oct. 21 theatrical release, "Black Adam" reunites Johnson with his "Jungle Cruise" director Jaume Collet-Serra. It also stars Aldis Hodge as Hawkman, Noah Centineo as Atom Smasher and Quintessa Swindell as Cyclone, all of whom joined Johnson and Collet-Serra for the panel.
"Black Adam" was just one part of Warner Bros. return to Comic-Con, where audiences also got a glimpse at a new trailer for " Shazam! Fury of the Gods." Stars Zachary Levi and Lucy Liu were on hand to promote the sequel, which is due to arrive in theaters on Dec. 21 and continues the story of a teenager-turned-superhero who is feeling a bit like a fraud. The film sees the return of Asher Angel, Jack Dylan Grazer and Adam Brody and adds Helen Mirren and Rachel Zegler of "West Side Story" to the mix.
The studio stuck to its 2022 superhero releases, forgoing sneak peeks at films due next year. One of those is "The Flash," whose star Ezra Miller was arrested in Hawaii twice this year — in a disorderly conduct case and on suspicion of assault.
Miller plays Barry Allen in the Andy Muschietti-directed film, which has wrapped production and is supposed to open in June 2023. They have been credited as the first out LGBT person to play a lead role in a major superhero film.
Lindsey Bahr is an AP film writer
Review: Writer-Director Aaron Schimberg’s “A Different Man”
Imagine you could wake up one morning, stand at the mirror, and literally peel off any part of your looks you don't like — with only movie-star beauty remaining.
How would it change your life? How SHOULD it change your life?
That's a question – well, a launching point, really — for Edward, protagonist of Aaron Schimberg's fascinating, genre-bending, undeniably provocative and occasionally frustrating "A Different Man," featuring a stellar trio of Sebastian Stan, Adam Pearson and Renate Reinsve.
The very title is open to multiple interpretations. Who (and what) is "different"? The original Edward, who has neurofibromatosis, a genetic disorder that causes bulging tumors on his face? Or the man he becomes when he's able to slip out of that skin? And is he "different" to others, or to himself?
When we meet Edward, a struggling actor in New York (Stan, in elaborate makeup), he's filming some sort of commercial. We soon learn it's an instructional video on how to behave around colleagues with deformities. But even there, the director stops him, offering changes. "Wouldn't want to scare anyone," he says.
On Edward's way home on the subway, people stare. Back at his small apartment building, he meets a young woman in the hallway, in the midst of moving to the flat next door. She winces visibly when she first sees him, as virtually everyone does.
But later, Ingrid (Reinsve) tries to make it up to him, coming over to chat. She is charming and forthright, and tells Edward she's a budding playwright.
Edward goes for a medical checkup and learns that one of his tumors is slowly progressing over the eye. But he's also told of an experimental trial he could join. With the possibility — maybe — of a cure.
So... Read More