Lions Health & UN Foundation Grand Prix For Good goes to HHPH’s “Lil Sugar--Master of Disguise”
Cannes Lions has bestowed the first Lions of 2022 as its International Festival of Creativity returns to the South of France.
The winners of the Pharma Lions, Health & Wellness Lions, Outdoor Lions, Print & Publishing Lions and Radio & Audio Lions were all announced during the first live awards show of the week.
Additionally the Lions Health and United Nations Foundation Grand Prix for Good, which is given to work created for non-profit organizations and charities, was awarded to “Lil Sugar— Master Of Disguise” for Hip-Hop Public Health (HHPH) by AREA 23, an IPG Health Network Company, New York. Driven by a music video with a song, co-written and performed by rap sensation Darryl DMC McDaniels from Run-DMC, this highly creative piece of work used rap, storytelling and gaming to make nutrition literacy fun and turn kids into experts on sugar, driving engagement through Lil Sugar app downloads.
In the Health & Wellness Lions, honoring creativity for personal well-being, 1,213 entries were received and 38 Lions awarded: 7 Gold, 11 Silver and 19 Bronze. The Grand Prix went to “The Killer Pack” for Maxx Flash Mosquito Repellent Coil, by VMLY&R, Mumbai. This mosquito repellent, made from 100% biodegradable, innovative packaging, kills mosquito larvae when disposed in garbage dumps, dustbins and stagnant water, helping to break the vicious cycle of threatening diseases like dengue and malaria in India.
Pharma Lions, which celebrate life-changing creativity, had 298 entries, from which 11 Lions were awarded: 2 Gold, 4 Silver, and 4 Bronze Lions. The jury awarded the Pharma Grand Prix to ‘I Will Always Be Me’ for Dell Technologies & Intel, VMLY&R, New York. Jury president Brett O’Connor, executive creative director, VCCP Health, UK, said: “This piece of work blew our minds, the way in which they manage, through the user experience, to tell a very simple story about their condition to loved ones, friends and family. The genius behind the user experience to decrease the process down from three months to 30 minutes for us was just invaluable, especially at a time in their lives when every second counts.”
The Outdoor Lions received 1,809 entries and 48 Lions were awarded: 10 Gold, 15 Silver and 23 Bronze. The Grand Prix went to “Liquid Billboard” by Havas Middle East, Dubai, Cultural Insight for adidas. The world’s first swimmable billboard was created to promote the brand’s new inclusive, full-cover swimwear collection.
In the Print & Publishing Lions, 795 entries were received and 21 Lions awarded: 4 Gold, 6 Silver, and 10 Bronze Lions, and the Grand Prix went to “The Elections Edition” for Annahar Newspaper, by Impact BBDO, Dubai, securing a second Grand Prix for the United Arab Emirates. Commenting on the Grand Prix, Print & Publishing Lions jury president Natalie Lam, chief creative officer, Publicis Groupe APAC & MEA, Hong Kong, SAR, said: “‘The Elections Edition’ has the kind of genius simplicity that we often see in Grand Prix winning work. The best work is the least complicated. It cuts through the clutter and hits straight at your heart. The element of innovative thinking also pushes work in the Lion ahead.”
Radio & Audio Lions received 692 entries and 23 Lions were awarded: 3 Gold, 7 Silver, and 12 Bronze Lions. The Grand Prix went to “The Unfiltered History Tour” of the British Museum, for VICE Media, by Dentsu Creative, Bengaluru/Dentsu Creative, Mumbai/Dentsu Creative, Guragaon, a creatively ground-breaking unofficial podcast guide to the British Museum’s disputed artifacts.
The Young Lions Print Gold winner was also announced live on stage: “The Protest Cardboard” by Will Cega and Rafael Quintal, Germany.
The five Global Growth Councils for Progress will meet at Cannes Lions for the first-time, working collectively during the festival and throughout the year to offer solutions and drive creative progress for business and society at large. On Friday, June 24,, the Councils will come together on the Lumiere stage to define the agenda and announce their commitment pledges for the year ahead.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More