Team One, Publicis Groupe’s fully integrated media, digital and communications agency, has hired Mark Koelfgen as its newest executive creative director. Joining from David&Goliath, Koelfgen will help lead efforts across Lexus and Team One’s growing portfolio of clients including Mark Levinson, Sparklight, Wisk, and Make-A-Wish, and will be involved with the agency’s new business efforts. He will report to Team One’s chief creative officer, Chris Graves.
“We’re known for our deep understanding of modern affluent consumers and heritage building premium brands. With that comes an even higher expectation for the creative thinking that’s needed to resonate in those worlds,” said Graves.”With the addition of Mark, we’ll continue to push our creativity even further, up-leveling our ambitions for our clients. It’s an exciting but challenging time to be a creative in our industry, but if anyone is up for the challenge of leading our team through it, it’s Mark.”
An experienced industry veteran, Koelfgen spent the last four years at David&Goliath where he served as executive creative director, heading up the agency’s flagship account, Kia. His most recent work, Kia’s “Robo Dog,” placed fourth on the USA Today Ad Meter for the Super Bowl. Prior to that, Koelfgen had a stint at Ogilvy as executive creative director, spearheading the IBM and Comcast accounts, and served as chief creative officer at mcgarrybowen NY for a decade, where he helped grow the shop from 70 to over 700 people and touched clients including HP, Verizon, JP Morgan Chase, Marriott, InBev, Reebok and Maserati. He also worked in the creative departments of GSD&M, Deutsch, DM9 and DDB earlier in his career.
“I’ve admired Team One from a distance for nearly two decades and always thought, maybe someday I would work there,” said Koelfgen. “I’m really looking forward to contributing to the Team One legacy, helping grow the agency and overall creative offering for clients–I know I can make a difference and learn a lot.”
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting โ quite literally โ into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat โ who won best screenplay at this year's Cannes Film Festival โ has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive โ a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
The one rule to follow is that... Read More