By Andrew Dalton, Entertainment Writer
LOS ANGELES (AP) --The husband of a cinematographer shot and killed on the set of the film "Rust" says it's "absurd" that Alec Baldwin believes he's not to blame for the shooting and he was "so angry" when Baldwin didn't accept responsibility.
The remarks made in excerpts released Wednesday from an interview with the "Today" show are the first public words from Matt Hutchins on the Oct. 21 death of his wife Halyna Hutchins.
"The idea that the person holding the gun and causing it to discharge is not responsible is absurd to me," Matt Hutchins told "Today" host Hoda Kotb in the interview that airs in full Thursday.
Baldwin said in a December interview with ABC News that he was pointing the gun at Halyna Hutchins at her instruction on the New Mexico set of the Western when it went off without his pulling the trigger, killing her and wounding director Joel Souza.
"Watching him I just felt so angry," Hutchins said. "I was just so angry to see him talk about her death so publicly in such a detailed way and then to not accept any responsibility after having just described killing her."
Baldwin said in his interview that "someone is responsible for what happened, and I can't say who that is, but it's not me."
Matt Hutchins added that "gun safety was not the only problem on that set."
"There were a number of industry standards that were not practiced," he said, "and there's multiple responsible parties."
Matt Hutchins and his 9-year-old son are the plaintiffs in a wrongful death lawsuit filed last week that names Baldwin, the film's producers and others as defendants.
It alleges that Baldwin, who was also a producer on the film, and his co-producers showed "callous" disregard in the face of safety complaints, and their "reckless conduct and cost-cutting measures" led directly to her death.
Baldwin's attorney Aaron Dyer responded that any claim the actor was reckless is "entirely false."
At least four other lawsuits have been filed over the shooting, but Hutchins' is the first directly tied to one of the two people shot.
Last month Baldwin turned over his cellphone to investigators, and Dyer said he continues to cooperate fully with the investigation.
Investigators have described "some complacency" in how weapons were handled on the "Rust" set. They have said it is too soon to determine whether charges will be filed.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More