By Ken Liebeskind
SAUSALITO, CALIF --Sony Pictures Television Minisodes, four to six minute versions of classic TV shows, launched this summer on MySpace with advertising from Honda. On Monday, the Minisodes began playing on Crackle, a Sony website that started this summer that plays a variety of entertainment content, with advertising from Pepsi.
“Phase one launched this summer with an exclusive distribution partner and advertiser,” said Amy Carney, president of ad sales at Sony Pictures Television. “Phase two is a broader distribution with additional advertisers.” Pepsi is the exclusive sponsor on Crackle. Honda will continue to sponsor the programming on two other new distribution platforms, AOL and Joost, Carney said. The shows will also play without advertising on V Cast, Verizon Wireless’s mobile video service.
Pepsi is running a 15 second spot on Crackle that was created by Sony Pictures Television. The spot features a retro bottle cap and can that supports Pepsi’s campaign that will feature new retro packages in stores beginning Nov. 4. The retro can is the latest installment in an initiative that began in February that updates Pepsi’s packaging graphics. A unique URL found on the can links directly to the Minisode network on Crackle.
“It is meant to transport the consumer back in time,” said Michelle Naughton, a Pepsi spokesperson. “When these shows originally aired, our consumers could watch them while drinking a Pepsi. Today, they’re able to do the same. The Minisode Network is a great partner. The combination of our can with this site provides a full nostalgic experience.”
Crackle is the site that was formerly www.Grouper.com, which was purchased by Sony Pictures last year.
Josh Felser, president of Crackle, said the site is currently running Minisodes for six shows as one of the channels on the site, which is clickable on the home page. There are 18 shows in the Minisode network and he said more will be added on Crackle later.
The site plays ads after three videos have been viewed, so the Pepsi ad won’t play as a pre-roll, unless viewers have seen three other Crackle videos before playing a Minisode.
Crackle will promote the Minisodes on its home page and in newsletters to its regular viewers. The content will also play on syndicated partner sites, including Hi5.com and Piczo.com. It also plays on Sony BRAVIA TVs.
When asked how long the Minisodes will play, Felser said, “It depends how they do. It’s programming that needs to be profitable. We’ll run it as long as users are excited.” It was a big success on MySpace, with over three million views.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More