The 2008 Honda Fit may be small in size but it’s big on looks. RPA, Santa Monica wanted to express that in a quirky way and accomplished that with “Eyes,” a 15-second animated spot created by a52, Santa Monica’s Andy Hall for online distribution that was released last week.
In the broadband video, viewers are taken into a surreal world where gigantic eyeballs chase cars through empty streets. A voiceover says “Speedy eye-catcher. The Fit from Honda; the Fit is go.”
In addition to creating a compelling story in 15 seconds, one of the other challenges was to maintain a visual style that was introduced last year in a spot titled “Food Chain” when the Fit was first unveiled to consumers. The spot featured cars eating other cars and at the end the Fit eats a huge SUV, related Curt Johnson, associate creative director/art director. RPA. “The city in the background was created by a52 so we had the idea for the rolling eyeball spot this year to actually put this car chase on the streets of that city that they had created,” Johnson said.
“a52 has become the agency’s go-to company for projects like
this,” added Gary Paticoff, senior VP, executive producer, RPA. “We’ve had a very successful relationship from which we have produced some high concept as well as highly visual projects. The Honda Super Bowl ‘Mudflap’ commercial and last year’s launch of the Honda Fit campaign have been among the most recent. Andy and his group continue to raise the bar on every project.”
For the current campaign, another animated commercial, “Gas Mileage,” also debuted online. The spot features the Fit passing by several gas stations to show off the fuel efficiency of the vehicle.
“The assignment from the agency was to create two 15-second spots for the Internet, based upon storyboards they had for the Honda Fit campaign,” explained Hall, director/3D and VFX supervisor for a52.
“From there, I was given a lot of freedom in terms of style and choices, which really made them a challenge. After our initial conversations, we collaborated and produced two spots: ‘Eyes,’ influenced by the classic 70’s car chases in movies like Bullitt and The French Connection, and ‘Gas Mileage,’ for which I drew inspiration from the classic 60’s postcard photography representing the nostalgia of Route 66.”
Based upon Hall’s ideas for each spot’s visuals, he and pre-vis/CGI artist Dan Gutierrez created pre-vis templates for each. “Dan really brought some nice flourishes to both pieces,” Hall said. “For ‘Eyes,’ concept artist Darren Gillford used references Andy pulled to create a look for the slightly surreal world in which eyeballs chase cars through empty streets. For ‘Gas Mileage, CGI artist Max Ulichney went out to Joshua Tree, Calf., to take a variety of reference stills, which were used as backdrops for the desert environment.
Working with those visual cues, additional a52 CGI artists built out the environments for each spot, handling modeling, texturing, and lighting in Maya, using Mental Ray for rendering, and Adobe Photoshop for additional 2D imaging. James Pastorius worked in Shake to composite the many layers of CGI renders, and those composites were passed along to Flame artists Pat Murphy and Kirk Balden for final compositing and color-grading.
Johnson pointed out that working with the team at a52 was rewarding. “It seemed like every time we saw their work in progress we would say that’s great, just keep going. There were really zero changes. They did a terrific job. All we had to do was stay out of the way.”
The spots broke online on U.S.-targeted mainstream newspaper sites and metro funky sites, such as ManiaTv, where Honda sponsors the Daily Independent Show. The show celebrates the best underground entertainment.
Although both spots were destined initially only for Internet distribution, Hall and his colleagues produced each in full HD resolution and the client and agency decided to also release them on cable. At RPA, Paticoff and agency producer Nick Rogoff worked with the creative team of Johnson and associate creative director/ copywriter Todd Carey, overseen by creative directors Joe Baratelli and David Smith. A52’s team also included executive producer Mark Tobin and CGI artists Kirk Shintani, Eli Guerron, Paulo de Almada and Adam Newman.
Original music for both spots was composed by Elias Arts. Sound design was courtesy of 740 Sound Design, Santa Monica, and each spot’s final mix was mastered at Margarita Mix de Santa Monica.
Director Hans Emanuel Joins Caviar For Commercials and Music Videos
Production company Caviar has signed director Hans Emanuel for U.S. commercial and music video representation. The film and advertising director fuses his keen--and Berlinale Film Festival Award-winning--eye for cinematic storytelling with a commercial background across multiple genres including beauty, automotive, dance, and visual effects-heavy projects, to produce creative for clients like Kia, Nivea, Nissan, LโOreal, BMW and more.
Caviar executive producer Salim El Arja noted, โHans has a unique ability to blend stunning visuals with heart and humor, rooted in his confidence as a craftsman. This allows him to focus on drawing exceptional performances from actors--including celebrities--and crafting films that are not only visually striking but also deeply engaging and often hilariously comedic. His sensibilities align perfectly with Caviarโs vision, and weโre excited to collaborate with him on work that pushes creative boundaries.โ
Emanuel added, โCaviar is a renowned name, certainly since I began my career. They have a solid reputation for quality work, and Iโve always respected them as a company. Life is about where destiny makes you flow with the people you need; thanks to a series of projects, I was introduced to Florence Jacob with Caviar Paris first, and the rest is history. I feel they can support my career growth with their comedic expertise and filmmaking prowess.โ
Prior to joining Caviar, Emanuel had been repped by production house Stadium. He was born and raised in Santa Monica, Calif., to a Mexican-German mother, benefiting from a culturally diversified upbringing that carried through his education interests. Knowing he wanted to be a filmmaker from the start, he began his career in the luxury and beauty field,... Read More