Malibu, CA -- (SPW) --

Canvas.Malibu, in association with The Little Beach House  is pleased to present “THE LOST NEGATIVES OF MICHAEL FRIEDMAN.” The special photography presentation, described in the media as a “1960s Rock ‘n’ Roll Time Capsule,” will exhibit historic, rock and roll photographs taken during the late 1960s and early 1970s by former music manager and producer Michael Friedman – all of the photographs will be for sale. The event will take place September 26 through October 31 at Canvas.Malibu.

Michael Friedman will conduct an Artist “Meet and Greet” with interested attendees on Saturday, Sept 29^th, between 5-8 PM, at Canvas.Malibu.

Canvas.Malibu is a two-story, high-end boutique/art gallery nestled in the famed Malibu Country Mart, and owned by entertainment industry veterans Arlington and Jac Forbes. The couple have created a conceptual boutique that seamlessly integrates merchandise with art, to create their own “canvas.”   

A portion of the proceeds will go to Armory of Harmony, an organization with a mission to convert metal from decommissioned guns and used bullet casings into musical instruments and donate those instruments to high schools in need across America. Swords into plowshares. The charity was founded by Richard Gibbs, renowned film and television composer, record producer, former member of Oingo Boingo, and owner of Woodshed Recording in Malibu, creative home for artists such as U2, Shawn Mendes, Coldplay, Chance the Rapper, and Barbra Streisand.

Michael Friedman, a former Music Manager and Music Producer, found himself standing quite literally in the hurricane’s eye of America’s folk, rock and roll, and pop music industry during the late ‘60s through the early ‘80s.  Friedman is presenting at Canvas.Malibu a remarkable collection of his never-before-seen, candid, black and white photos of iconic musicians and performers, including The Rolling Stones, Janis Joplin, The Band, and others.

During the 1960s and early ‘70s era, Michael Friedman had the good fortune of working, traveling, and befriending dozens of highly respected and legendary musical artists.  While initially working as a publicist, and later as a manager and music producer, he was also an avid photographer.  Due to his unique access to dozens of top musicians and performers, his candid photography was able to capture the essence of that historic period in American folk, rock, and pop music.

Between 1969 and 1973, Friedman shot over 1,000 photographs, but before he even printed most of the photos, he packed the negatives away, and then lost track of them, eventually considering them lost. Then, in 2017, after 45 years, the long lost negatives were discovered in Friedman’s attic.

 Now fully restored, these historic photographs represent a remarkable collection of candid shots of legendary musicians, including The Rolling Stones, Janis Joplin, The Band, Todd Rundgren, Gordon Lightfoot, Paul Butterfield, James Cotton, Kris Kristofferson, Rita Coolidge, and other notables.  

"Looking back, I think of the late 60’s and the early 70’s as a sweet spot in the history of American music,” Friedman now says. “There were so many talented young songwriters and musicians during that era, and I was very fortunate as a young man to be working with some of the most enduring and iconic. Photo-graphically, my perspective was one of reportage – I wanted to capture the moment. No one was posing for me, because I was not a hired photographer, but rather part of their team and a friend.  My hope is that many of these photos will give the viewer a glimpse of the artists as individuals, unselfconscious, relaxed, and just being themselves."

Canvas.Malibu has selected a collection of stunning images for the exhibition: THE LOST NEGATIVES OF MICHAEL FRIEDMAN.  The exhibition is scheduled to open to the public on Wednesday, September 26, and will continue through October 31, 2018.  Canvas.Malibu is located at 23410 Civic Center Way, Malibu, CA 90265. The phone is: 310.317.9895.

The hours of the Michael Friedman exhibit will be

• Sun – Mon: 12-5pm
• Tues –Thurs: 11-6pm
• Fri – Sat: 11-7pm

The photography collection is then expected to travel to the Rock & Roll Hall of Fame in Cleveland in 2019, where it will be exhibited and then archived in perpetuity as The Michael Friedman Collection.

More Information about The Lost Negatives is available at:

www.MichaelFriedmanPhotography.com

About MICHAEL FRIEDMAN
Michael Friedman's career in the music industry began in 1967 at the New York City-based PR agency Ivor Associates, when he was 24 years old.  At the time, Ivor's clients included The Mamas and the Pappas, Herman’s Hermits, Glen Campbell, and The Bee Gees, among others.  

While at Ivor, Friedman transitioned to management and music production when he and partner John Kurland signed an unknown band from Philadelphia called Nazz, whose leader was Todd Rundgren.  

In 1968, Friedman went to work with the legendary music business manager Albert Grossman, best known for managing Bob Dylan. Friedman helped run Grossman’s management firm (ABGM) in NY and brought Todd Rundgren along with him.  Among the other notable artists Friedman worked with at ABGM were Bob Dylan, The Band, Janis Joplin, Paul Butterfield, Odetta, Ian and Sylvia, Ritchie Havens, Peter Paul and Mary, James Cotton, Todd Rundgren, Kris Kristofferson, Rita Coolidge, Professor Longhair, Tom Rush, and Gordon Lightfoot. At the time, Albert Grossman Management was considered the premier music management company in the US.

By 1970, Friedman had moved to Woodstock, NY, to work on the early stages of Grossman’s Bearsville Records and Bearsville Studios. He subsequently joined Bert Block in Connecticut, managing Kris Kristofferson and Rita Coolidge.     

In 1980, Friedman joined Arista records to work with Clive Davis as Davis’s executive assistant. He and Davis worked closely on various projects, including heading up the formation of Arista's music video department.  Friedman's first two projects under the newly established division included "Dionne Warwick: Live in Las Vegas,” and the 1980 production of the first feature length music video entitled “The Kinks: One for the Road," filmed at the Providence Civic Center. These productions were joint ventures with Time Life Entertainment. The Kinks rock video marked an industry first, and the soundtrack resulted in the Arista double album, “One for the Road,” which went gold.

Friedman also oversaw all Arista distributed labels, including Dave Grusin’s and Larry Rosen’s Jazz label GRP Records. He later went on to form The Empire Project, a music production and management firm in New York, with Arista A&R executive Don Silver. There, the two men produced and managed such artists as Orleans and Mayday. 

In 1982, with marriage and a new baby in the picture, Friedman decided he had had enough of the pressures of city life and the music business, and moved to Connecticut to pursue his other longtime interest in antiques.  There, he opened the Friedman Gallery, and Artafax, a European high tech design store, both in Westport, CT.

In 1992, he opened the Ash Creek Saloon, the first of three successful restaurants. Also in 1992, Friedman authored the highly acclaimed book “Cowboy Culture: The Last Frontier of American Antiques.”

Friedman has three daughters. He lives with his wife, Donna Vita, in Connecticut.

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