On May 25, SHOOT unveiled its fourth annual New Directors Showcase reel. The 25 helmers–including three two-person teams–selected for the Showcase come from diverse backgrounds. However, the bond they share is great style, vision and commitment–whether it be reflected in comedy, visuals or storytelling. Helping fashion the Showcase lineup were entries from SHOOT‘s ongoing “The Best Work You May Never See” gallery, assorted submissions, and feedback from agency creatives and producers. Here’s a look at this year’s field:
Corbett Scott
A Band Apart
OLN’s “Zimbabwe”
Altoids’ “Jockey”
How did you get into directing?
Why do you want to direct commercials?
I came into it through the agency side, but I’ve wanted to direct for a long time. I love the :30 format, but I also think it’s an exciting time to be a commercial director because of the opportunities branded entertainment and the Web offer and the possibilities they open up from a storytelling and filmmaking standpoint.
What is your most recent spot project?
I recently directed a spot for Tim Burton’s Nightmare Before Christmas
video game from Disney’s BVG and I’m currently developing a Web-based branded entertainment short with Wit out of Atlanta.
Do you have plans to work in other areas–e.g., shorts, films, features or TV? Have you ever done any of that in the past?
I’d definitely like to explore longer formats at some point. I directed
a short film a few years ago and it was incredibly rewarding to sit in
theaters and see people’s faces as they watched my work. There are no filters between you and the audience — it’s real and immediate and
humbling.
What do you think is the best part about being a director?
Trying to figure out the best way to tell a story and being on a set
working with so many talented people who are all focusing their energy
in the same direction.
What’s the worst part?
Waiting for that next job.