Foundry, creative software for the media and entertainment industries, has released Nuke 13.
Kicking off the next series of Nuke releases, Nuke 13 introduces a flexible machine learning toolset, a new Hydra 3D viewport renderer and extended monitor out functionality, enhanced workflows for collaborative review, Python 3 support, and much more.
The Machine Learning Toolset allows artists to harness the power of machine learning directly in Nuke 13. Developed by Foundry’s A.I. Research team, it enables artists to create bespoke effects with a high-quality result in relatively little time. Applications of this flexible toolset include upres, removing motion blur, tracker marker removal, beauty work, garbage matting, and more.
Key components of the machine learning toolset include:
- CopyCat – an artist can create an effect on a small number of frames in a sequence and train a network to replicate this effect with the CopyCat node. This artist-focused shot-specific approach enables the creation of high-quality, bespoke models relatively quickly within Nuke without custom training environments, complex network permissions, or sending data to the cloud.
- Inference – is the node that runs the neural networks produced by Copy Cat, applying the model to your image sequence or another sequence.
- Upscale and Deblur – two new tools for common compositing tasks were developed using the ML methodology behind CopyCat and open-source MLServer. The ML networks for these nodes can be refined using CopyCat to create even higher-quality shots or studio-specific versions in addition to their primary use for resizing footage and removing motion blur.
Nuke 13.0 also includes the introduction of Hydra support within Nuke’s 3D viewport, offering a higher quality image much closer to Scanline Renderer’s output, enabling artists to work closer to their final image. Using hdStorm for rendering also provides a more consistent experience to other applications using Hydra.
Introduced in Nuke 12.2, Sync Review has been extended to support syncing of editorial actions as well as playback and annotations. Now fully supported in Nuke Studio, Hiero, and HieroPlayer, Sync Review offers a new way to collaborate on review remotely and share the vision of the final image.
Christy Anzelmo, sr. director of product, Foundry, commented, “This release presents the biggest step forward for artists using Nuke. Nuke 13.0 combines what we’ve learned from studios over the last year by introducing new technologies that expand what’s possible within Nuke while maintaining the creative workflows and technical control that artists love. With the new machine learning toolset, we are putting the power of machine learning directly into the hands of artists as they can now create bespoke tools to enable them to stay creative, while also addressing the most common VFX challenges for creating high-quality shots.”
Thiago Porto, VFX and compositing supervisor, said, “I believe CopyCat will change the way VFX artists work. A shot that previously took me three days to create can now be completed in just a few hours.”
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More