Marshall Electronics is expanding on its assortment of miniature HD cameras with the new ultra-high-speed Marshall CV506-H12, which will be on display at IBC 2018 (Booth #12.D20), Sept. 14-18 in Amsterdam. The CV506-H12 is built for capturing high-speed action for detailed, high-definition, slow-motion video.
“Releasing a miniature 120fps camera to 1080p and other resolutions was a natural add-on to our camera line,” said Tod Musgrave, director of cameras at Marshall. “Many of our customers are using our mini HD cameras for slow-motion replay and analysis.”
The CV506-H12 offers the following resolution and frame rates settings:
- Progressive HD (1080p and 720p) at 120 fps
- Interlaced HD (1080i) at 50, 59.94, and 60 fps
The CV506-H12 is among the first additions to Marshall’s latest generation of compact and miniature cameras utilizing a fully redesigned body style and form factor. Special attention was given to enhance durability in the field with the addition of new structural “wings,” designed to give greater protection to rear connectors during use.
The CV506-H12 can be controlled through RS485 (Visca) and has a range of adjustable image settings including Paint (Red/Blue), White Balance, Gain, Pedestal (black), Gamma, Shutter and more. It has a 2-Megapixel 1/2.8-inch sensor with single HDMI 2.0 output.
The M12 lens mount can be used with fixed prime or varifocal lens options, and the lightweight, small footprint build enables it to be placed easily into tight, hard-to-reach locations for unique angles and viewpoints. The CV506-H12 is designed for use in broadcast, live sports, machine vision, process analysis and any other slow-motion application.
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More