The second series of National Geographic’s popular series Genius focuses on the extraordinary life of painter Pablo Picasso. Colorist Pankaj Bajpai at Encore in Hollywood was charged with creating the look that evoked the time and place as well as the art.
Bajpai was the colorist on the first series of Genius, which featured Einstein and was set in Germany. Series two inhabits the much warmer climes of Spain and Paris. Working with DP Mathias Herndl, it was the place that led them to the look: “We anchored ourselves in the quality, color and texture of the Spanish light in Málaga, the birthplace of Picasso,” Bajpai explained.
The series tells the story of Picasso (played by Antonio Banderas) and his complicated, chaotic lifestyle which was the source of his vibrant paintings. National Geographic and the show’s creator Kenneth Biller were concerned with creating the sense and style of the first half of the 20th century. “A key challenge was to maintain the authenticity of the period, and yet somehow keep a contemporary flair,” Bajpai recalled.
“We start with Picasso’s father and his memory of the bullfights–it’s all incredibly warm,” he continued. “Then Picasso as a young man, with many candlelit interiors. And towards the very end the palette becomes sparse and cold, as his life becomes more isolated.”
Herndl shot the series using the ARRI ALEXA, and Bajpai was involved from the earliest days of the production. “Mathias and I have a long working relationship, and much of our understanding is intuitive–it’s a partnership where few words are exchanged. I know Mathias’s instincts when he is shooting, and he knows how I might approach the captured image. When it all comes together, it’s wonderful.”
At Encore, colorist Bajpai used the latest Version 5.0 of Baselight software, giving him access to Base Grade, FilmLight’s popular feature of the colorist’s toolkit. “It allowed me to approach grading using the classic zone system for the first time, which was tremendous. It is possibly one of the most practical and significant advances in grading technology in a long time.
“There are many scenes in the show where there are old European-style big and bright windows,” he said. “To be able to maintain details in the high-high-highlights and low-low-lowlights and still keep everything in between was unbelievably fast and clean.”
Executive produced by Ron Howard and Brian Grazer, Genius is a major success for National Geographic. Season one was the network’s most-watched show of 2017 and earned the network a record 10 Emmy nominations.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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