Dalet, a provider of solutions and services for broadcasters and content professionals, announced that BBC Wales has selected the enterprise Dalet Galaxy Media Asset Management (MAM) and Orchestration platform to facilitate all workflows and asset management requirements at its new state-of-the-art media facility located in Cardiff, Wales. Once deployed, Dalet Galaxy will offer a centralized content repository and provide tools to orchestrate workflows and media processes across production, news, studios and delivery departments. The massive installation design and multi-year deployment will be managed by Dalet Professional Services, which will ensure customer success in the transformation journey towards agility and maximize return on investment (ROI).
“BBC Wales is pleased to be working with Dalet to provide an asset management system for our new home in Central Square, Cardiff. Dalet was chosen after a very competitive process, and will provide an important part of the technology solution at Central Square within a state of the art broadcast center. We are looking forward to the successful delivery of the project,” said Gareth Powell, chief operating officer, BBC Wales.
As the core media hub, Dalet Galaxy will be deployed as the cornerstone of the new digital facility. All systems and sub-systems deployed in future phases will connect to this hub. The state-of-the-art, BPMN-compliant Dalet Workflow Engine will enable the BBC to orchestrate a combination of user tasks and media services ranging from ingest, transcoding and QC, to logging, editing, media packaging and distribution. A simple-to-use workflow designer interface allows users to model business processes, picking from a palette of stencils operations such as user tasks and notifications, media and metadata services, gateways, timeout and error management, and much more.
The comprehensive and open Dalet Galaxy API will allow the BBC to tightly connect storage and infrastructure technologies, media services and post-production applications, and traffic and business platforms, orchestrating a fluid workflow that tracks assets and associated metadata across the media enterprise.
“We have been working with the BBC on a multitude of projects for more than fifteen years. commented Adrian Smith, regional manager, Dalet UK. “Dalet Galaxy’s flexible architecture provides a future-proof framework on which the BBC can evolve to meet new requirements and production needs that arise over coming months and even years. The Dalet Professional Services team’s experience in managing such enterprise rollouts will help them navigate the juggernaut of this multi-year, large-scale deployment.”
In addition to Dalet Galaxy, Dalet will be supplying a new Dalet HTML application for simplified management of camera card ingests and its Dalet Brio video server. Supporting both SDI and IP, the versatile, high-density Dalet Brio ingest and playout platform adheres to the SMPTE 2110 standards, allowing broadcasters to step into the future of IP while retaining the security of SDI.
Review: Writer-Director Aaron Schimberg’s “A Different Man”
Imagine you could wake up one morning, stand at the mirror, and literally peel off any part of your looks you don't like — with only movie-star beauty remaining.
How would it change your life? How SHOULD it change your life?
That's a question – well, a launching point, really — for Edward, protagonist of Aaron Schimberg's fascinating, genre-bending, undeniably provocative and occasionally frustrating "A Different Man," featuring a stellar trio of Sebastian Stan, Adam Pearson and Renate Reinsve.
The very title is open to multiple interpretations. Who (and what) is "different"? The original Edward, who has neurofibromatosis, a genetic disorder that causes bulging tumors on his face? Or the man he becomes when he's able to slip out of that skin? And is he "different" to others, or to himself?
When we meet Edward, a struggling actor in New York (Stan, in elaborate makeup), he's filming some sort of commercial. We soon learn it's an instructional video on how to behave around colleagues with deformities. But even there, the director stops him, offering changes. "Wouldn't want to scare anyone," he says.
On Edward's way home on the subway, people stare. Back at his small apartment building, he meets a young woman in the hallway, in the midst of moving to the flat next door. She winces visibly when she first sees him, as virtually everyone does.
But later, Ingrid (Reinsve) tries to make it up to him, coming over to chat. She is charming and forthright, and tells Edward she's a budding playwright.
Edward goes for a medical checkup and learns that one of his tumors is slowly progressing over the eye. But he's also told of an experimental trial he could join. With the possibility — maybe — of a cure.
So... Read More